Three Poems Larry Kearney
Prose
|
|
Revolver
Concert
Spencer
Carvalho
|
The Outlaws (Conclusion) Barnali Saha
|
Sleep
Anywhere
Eleanor-Leonne
Bennett |
The King's Cock William Gladys
Th by
from
eros for
John
Delin oh
the moon is bright tonight along the for
the adults. I had a different meaning. in myself. and
it said. the
moonlight is on grass and haystacks and still river and over on
the opposite bank is the pointless white building with all the rooms where
I’ll be happy and make things right. I
said it to myself but didn’t quite hear.
I sang very clearly and well in those on
these. long afternoons. from dead
poem rising the dead in the
night in the rain. and
it's wet and the air is full of fine damp. the dead rain.
the earth is sweet and wet. the cyclamen. the old lilies were dead but
they clutched in the ground and came up in the
furled whiteness the womanly raw strength.
speaking speaking the dead come
dressed in borrowed clothes flat and immense. the dead speak would
speak. and here's one in my
room and there's one swaying in the
marsh light. from
as a matter of fact to be
filled with the roll of the
twilight as if the
bulk of the shapes were
come up in a pushing of
blood up the arm you know warning
sighs of twilight speak my
name it’s not a
painting or my
name at all or bit
of music not
the cat unless or pocket’s silver
change. the
change is silver. how nice
the feel but maybe maybe name
is hanging off
the poem no it
isn’t see me dangle rocking in
ocean bring two ponds of eye to
bear the dance on
polished floors’ tableaux
mortant receding bozos
snares delusions little tables
each with
oysterettes and
waiter hates us all but what the
hell his scribbles tumble
off his
pad and dance away the night in
clacking Lullaby of
Broadway dead
musicians on the stand and
fingers draped with lake in
park of night where all the
boats are all the
thoughts go rowing nightly
as will
come this twilight rings
the doorbell all
the boats gone
stirring tremble blow
this pop stand says the moon comes
bumping up the sky and nudges moon
aside with
bright credential boats
on air they go to bare our
empty names to
real.
by William Aarnes
Claire and Jack had set aside a weekend
for sorting through attic clutter. They boxed
their two stamp collections as one and then coaxed
each other into throwing out dissertation drafts.
Claire was brooding over Lucy’s few remaining toys
when Jack lifted a lid labeled—in his mother’s hand—
“John left behind.” Beneath a jammed tangle
of extension cords, he found his high-school yearbooks,
his diploma, and a copy of Grace Notes.
A senior, Jack hadn’t voted for himself
so had tied for editor with Jen, a junior,
a six-foot blonde, who, well read and alert,
already knew to keep poems spare.
“No haiku.
No imitation e. e. cummings,” their posters
had advised. “And no coffee spoons.” And Jen
had persuaded Jack they mustn’t publish themselves:
“Last year your Moses moaned up the mountain
and moaned down, and my stuff, oh God,
was just a hodgepodge of Franny and Zooey
and Yeats. Don’t you still cringe?”
Winnowing submissions
had taken three Saturdays. Jack recalled complaining,
“Those posters should have said—in red—‘No rhyme.’”
“Right,” Jen had nodded, “and ‘Don’t anguish us
with angst.’”
Pondering whether to hand over
the slim volume to Claire, Jack almost said out loud,
“So again the chagrin.” He couldn’t recall the classmate
who’d designed the cover—five black brushstrokes
on ivory. The proposal to title the issue—“Nocturne
for Black Keys”—had come from Jack; he’d needed
those few words of his own.
“Swell,” Jen had shrugged.
“Let’s make clear how pretentious we can be.”
Filling the
Page
For
Jenna Leith
by William Aarnes.
A student asks Kristiansen if he’d comment
on a poem. “Sure—if I can be honest.”
Then, two days later, the poem
appears in his cubby. A page
of longish lines with lots of spacing,
at once expansive and hesitant.
“Bianca” is its title.
The speaker
admires her purity, feels stymied by it,
can’t even, it seems, allude to her body.
A kiss would stain; attempting the possible
would mar possibility.
After noting
concerns about line breaks and ellipses,
Kristiansen starts to question the poem:
“What happens,” he scribbles, “if this woman
has a more colorful name?” “Who
is this speaker?” “Just where in the world
do these characters hang out or, better,
which Bianca do you have in mind
—from the Shrew or Othello?” “Does she
have nothing to say for herself?”
Soon
his comments cover the page. He turns
it over to list several earthy poets.
Later in the day, after the poem’s disappeared
from his cubby, comes the e-mail; with “BLANK”
for its subject:
“Thanks for your thoughts—
guess somehow I’ll need to make clear
my poem’s about not being so sure
if words improve the empty page.”
Ode to Personification
by William Aarnes.
May I call you Son,
for short,
O path down which
each of my odes must traipse
the moment I employ
an apostrophe?
Sure, Son, I know better
and my readers know better
even as they go along
with my speaking
to things and ideas
that, even if they hear
what I what I imagine I’m saying,
can’t talk back.
See, Son, even you can’t talk back;
you can’t even snarl back like a black bear
or burst in my mouth like a blueberry;
you’re just a dumb but handy idea.
Yes, Son, you’re handy,
good as everyday stainless,
something to have about
for moments like this
when I have a question
that doesn’t quite reflect
how our world actually works.
And my question is
Do you, as a useful fiction,
feel put upon?
Well, Son,
I take your silence
to mean you’re enjoying
this one-sided conversation, too.
So here’s a related question:
How do find me
as an adoptive father?
Ode to the Ineffable
by William Aarnes.
It is only possible
to say
it is not possible
to say
what could possibly
be said of you,
O, Impossible-
To-Say.
painstaking
by William Aarnes.
Do
lexicographers
have faithful ears?
They report we pronounce
painstaking as if pains
is plural (which they are).
Yet if we listen closely,
don’t we often hear the s
not before but clearly after
that syllable break–
as if
some pain got singled out
as a heretic?
by Luis Cuauhtemoc Berriozabal
I go into the sun,
broken in spirit.
Daylight isn’t a solace.
It shows no mercy.
I go in peace and
come out in a rage.
I prefer to go through
life quietly.
I stare at the sunrise
until I go blind.
I feel like I will die.
But it’s not my time.
I go into the sun
wishing to be born
again, full of tears,
a desert in my heart.
Blood
by Luis Cuauhtemoc Berriozabal
He had fallen in love
for some woman he saw
on the bus one morning.
He dreamt her photograph
and wanted to kiss her. He
was a little confused.
He did not know what was
real. He felt pain in his
heart and a deep longing.
He wanted to feel love.
He found it hard to sleep.
Under a spell he could
not shake, he bit his lips.
There was so much blood. He
said it was his love’s blood.
Life Happened
by Luis Cuauhtemoc Berriozabal
In an instant I lived a lifetime.
Things happened at the speed
of light. Morning was night
before I could remember
where the time went. I tried to
slow things down. I took small
steps. Still time did not slow
down. The calendar was old
before I knew what happened.
My life happened too fast and
I still can’t figure out why.
On My Way Home
by Luis Cuauhtemoc Berriozabal
On my way home
where my time is
mine. The grind is
shut out from my
room. My heartbeat
calms. The sun rests.
Here I am king.
Silence is a
gift. Here my nights
are unique and
this is not lost
on me.
The Glowing Moon
by Luis Cuauhtemoc Berriozabal
The streets are dark.
The glowing moon
shines on the sleeping
trees and naked leaves.
It shines for hours
and hours. It shines
on the houses too.
I welcome the moon.
I talk to myself.
The glowing moon
fits in my hand in
the most absurd dream.
by Robert Cullen
Image
of a woman
in a purple skirt,
then a pleated
shadow,
then a rippled pond
with a purplish loon
gliding over its
surface,
through the quivery
reflection
of a swollen moon.
Tidelines
by Robert Cullen
Strange, unsettling, a red tide that
creeps in and lasts
for days, or that rare occasion when jellyfish battalions
invade the shore, only to die withering on the beach.
Tears form, sliding down leathery faces as they labor,
lumbering behemoths with flipper limbs, digging on,
all night, to lay eggs beyond the tide line up the beach.
A pop bottle fresh from the day, polished bits of glass
from others past, sand dollar halves, mélange of shell . . .
a thousand still-lifes strewn a deserted stretch of beach.
Images in restless dreams shaped more of sea than we,
churned by wind and water-whim one fast upon another
as we slept on sand-boat decks drifting over the beach.
Nearly stumbled over them. They took no notice as I
discreetly passed, lovers awash in each other, given over
to rhythms of the sea and soft moonlight on the beach.
They wake in tattered clothing round fires grown cold.
They can taste decaying kelp and fish dregs of the storm,
these shadowy wayfarers trudging their shadowy beach.
by Tannen Dell
Signal delayed though
not valor or bronze.
I glaze Ivory with caramelized
batteries, shim’ring illusions.
Victimized Mayflower,
False.
Docks and Triton fearing men,
the oddest form
of obtuse accusation
acutely intimidating the wild rest.
The lamp shines.
The rest of memories
taste juxtaposition.
Night Walk
by Tannen Dell
He picks up a newspaper
and strolls into the abyss,
a fog embraced copy, a
parallel Universe. The headline
states that all is as it seems.
When he walks out he will
know the opposite.
Ms. Destiny
by Tannen Dell
“Hello. Is
fate home?”
“Not for you.”
“We are ambitious and seek your daughter.”
Destiny with tarantula reluctance at the door,
us suitors asking for Fates hand.
What would Father Time say?
Disapproval belies dismay
In disarray.
Hope beckons, hollowed benevolence
and the Haroun.
An ocean
Meridian.
Malcontent, our Mistress’s
furious mis-treatise.
Philosophy’s easy
Philosophy never says “No.”
by William Doreski
After losing myself downstairs
in a store demolished years ago
I find an elevator and rise
to Washington Street and find
an historic house on three acres
of park: the Ames Estate, lost
in the great nineteenth-century fire
but restored to former grandeur
although hemmed with many parked cars.
As I contemplate the Bulfinch style
and admire the way the old mansion
clutches the impacted antique soil
you tug at my sleeve. Haven’t seen you
for half a century, but you smile
the cannibal smile that felled men
all around the world, so I fail
to escape. How did you find me?
You point to an opaque fogbank
rolling from the harbor. Its weight
and density seem unlikely. You claim
the fog pushed you, bulling at your heels.
Soon it will fill the park. Picnickers
cork their wine and pack their baskets.
Kids playing Frisbee disappear
in the fog, but their voices remain,
only slightly muffled. We’re alone
in the density. Leaning against
an orange-brick wall, you assume
that familiar stance, and I reply
by looming over you a moment
like a horned owl, then retreating
before you look too satisfied,
before the warp in time straightens
itself and leaves us stranded
in a fog too thick to breathe.
by Richard Fein
“Catch six gold rings and win a free
ride.
Catch even one and a wish comes true,”
so hawked the billboard hype.
But my first time around I could only hug the horse tightly.
Yet dreams, like gold, have their pull.
The next time around I dared and missed,
and missed again the third and fourth try.
No wonder I was always chosen last, if at all, for sandlot ball games.
And if not chosen I’d ride home on my rickety three-speed bike.
Others in back, in front, counted their gold rings.
Discouraged, I again just hugged the bobbing wooden mane.
Then the carousel slowed──one last chance.
I dared to lean over far, quite far.
My finger wrapped around the ring.
A wish, a wish fulfilled.
But hundreds of fingers had already reached for dreams.
At my catch the ring rack finally snagged the gold.
My wish wouldn’t let go and so yanked me off the merry-go-round.
Scraped knee, tears, no gold ring in hand.
My dad argued with the owner; later a ten-speed bike appeared.
But I was still chosen last if at all
and was still ninth at bat, always after the pitcher.
The Hell of a Hundred Hellos
by Richard Fein
Transient loner with not even one hello-goodbye acquaintance.
Face forgotten by passersby even before they see him.
He’s forever stuck in everyone’s very short-term memory.
Each week he says a hundred hellos,
but no one stays long enough to say goodbye.
He believes he could even murder someone on a crowded street,
but in the lineup he’s certain no witness could finger him.
And at times he’s almost tried.
He whispers bless-me-Father-for-I-have-sinned
in every confessional in the city, receives absolution,
then goes out and sins again just to prod god’s memory.
He fears that when his soul is on that long line for hell
the devil’s bouncer will bark, “You’re not on the list.”
Or worse when at last he’s face-to-face with god,
god will ask, “Excuse me please, what’s your name again?”
Still Life
by Richard Fein
. . . a person in a diner staring at a mirror at 1:03 a.m.,
in a booth among other booths,
all booths claustrophobic rectangular enclosures
in two columns skirting the center aisle
running the length of the greasy spoon—
and all the booths are empty
except for the ones sitting alone, each clutching a cup of coffee,
all of them taking in the lukewarm coffee, sip by sip,
except that singular, first person in a booth among other booths,
and that booth is empty except for that one
whose untouched, unsipped coffee surely must be cold,
and that person’s arms are soft pillows for a slumping head
with a hand open and a now motionless pen at the fingertips
and a notebook open to a page pristine white—
except for standard, parallel, blue lines intersecting
an equally standard, red margin line running vertically down the left
with no other markings on the almost pristine white—
except the word, "Title," scribbled on the right side of the red
margin
with nothing to the left of that line, the page empty
except upon it that word Title and the slumping person’s head,
and nothing above that Title and slumping person’s head
except the ceiling lights and creaking fan,
while below arms still cradle a slumping head,
with eyes that are not yet closed, but closing,
and through fluttering eyelids the bloodshot eyes
gaze at a wall mirror which reveals nothing except──
a person in a diner staring at a mirror at 1:04 a.m.,
in a booth among other booths . . .
{Jan Matthys is hacked to pieces beneath the gate of Munster}
by SJ Fowler
young Mary Dean cuts her hands
coloured glass litters the belfry
they commission a new ikon
Puncture my thumb & daub,
“splitting blood
clears up reality and dream alike”
Doctor, have her visit me
in my chambers
I shall heal her wound
{the
beast filled with the names of blasphemy has arisen from the sea
with the feet of a bear, a mouth like a lion, and the rest of his limbs
like a leopard}
by SJ Fowler
a holding cell before pure solitary
confinement.
is very effective on the well rested.
just a chance to sleep for me, for weeks & weeks
sleep to catch a collusion
of parent
entangled
rotisseries & streamlined civil servants,
all
to be the lost fraternal faces that inhabit the houses in & around
Hampstead.
I
am not this thing, no. I have people;
I am a Mason.
do not charge valleys with trumpets & banners
&
the grand sword-of-mouth flowing forth in judgement
of
those whose they cannot completely forgive, even
after they are mostly dead.
I
am a monkey eating
oxtail
while staring
at
the Visitory. I
shall not stop at the tail.
{Chant of the Visitation rights, Song of the Visiting Wife}
by Sj Fowler
oos aa leva leva
abe
bah leva leva
oos
aa leva leva
abe
bah leva leva
repeats
the word
so
repeats the word
peels
from dirty, bitten mouths
a
hen. a hen. an admission from an animal
from
the north, from
close
our eyes tight, protrude our tongue slowly.
to
the heartbeat of Liver.
make
a huff. share our food.
remains,
looking vehemently toward a carcasse.
reminded
of a rat cornered
frothing
teeth,
chipped
and snapping & bent upon the lathe of shape.
trapped
in a cardboard box - no scissors or natural gas
jump
on the box with both feet to be picked by the black neck
&
it asked a one word question in Depletion
Koosa
Ta Specs Nokka ra Tow
do
not admire survival per se!
the
layered double dragon carved in lime.
a
Cathoga bomb, the loose rivets of blood into wine.
exchange
single form for eight limbs
tear
again, most likely.
Juhakka
achievement
in the stalk beating the snake if so.
-
probably a soldier.
the
smell of hay. ceased listening.
nose
folds flat on lips like a limp beak,
the
broken echidna seeks a restroom?
finally,
the nerves are toiletry.
{the
letter I equals 1, N equals 50 and 50 again, O is 70,
C a 100…Innocentius
Papa, we are somehow
not too surprised to learn, adds up to 666}
by Sj Fowler
The Museume should frighten!
beyond comprehension & exalted as such!
return to the first!
the drowning of Rib!
neolojist monumunt bound!
yoke!
awwed!
dumb!
clean limits!
return to the Church of breeding
fasten the straps of their hour inside & capture it
Ould brack
denial of visitation permitt
the selected audience of unane who proliferate in luncheons & chatrooms
the rumour the Museum is ludden with objects
dinn spreads
& all the bell-eyed skin-peelers want to visit
holidays sparm
our gates are stunned
we are kneeled in gratitude
what a success for Rosenzweig!
there is no spate
plastiscene, polystyrene, made by the troll, yesterday evening, painted with
spackle
they would only discover it in the developing room,
back in Cologne
when the elbo is not in complaind but flashing noyse?
they know I know
the most recent cohort is truly subtle
what better punishment than pretending they believe I am ded
they know as I know
let me live it eath day!
the dhin of amity
The Museum is the possible shift
spoken niiht at midnight
shakes the shoulders
cries narration
scale without comparison
utmost proper redukion!
wisdom!
the only site of recoverie
speak only with getherness intact
aglow!
deaf!
so vast to be unmissible, & yet missed
the sight of the turn
volume!
motter they torture me
‘Isn’t that horse pretty!
the monkey is playing a game!’
final!
geniA!
eep! close to ear
afflict!
me with quiet!
have me do their labour
touch the bones
teeming hive
‘t cannot be!
fowl! who are not silent violating!
napp!
watch the mapvendor!
selling schematics to a Museum
chemically unstable
hard to know position money
too resort to bartering
exploited both sides
is not a covered market
not a place for bargaining
it is, or it is not
only when something truly dead does it enter the Museum
{the nafs al-hull or the aql al-kull? Neither pleases the perfidious Badr Al-Jamali}
by SJ Fowler
but, Donald, dressed
(not just dress’d) as Hassan-i-sabbah?
the
women forced to hide in light, fasting??
the
turned eye to the training, of baby coils. Drugs too xxx
the
sacred kufic script, eastern kufic incantations to be neater.
square
kufic which hides the proper name of “he” in corners.
they
exploit the decorative potential of Spill to no End.
it
is decoration, though musty, the Thuluth, the Nasta’liy wraps
around
children’s necks. I am all for calligraphy, but we have a gallery for Nizaris
Kwarmazids.
Zangids. Seljuqs. Mameluks. & my credit card devotee, Baybars
Thankyou
Baybars, Saladin & Sinan. Thank you for killing Conrad.
all
because they are nearly expired, but for once it wasn’t your fault
you
lead the dawa to its dai
all
sexual congress Filthy & punishable by eternal…
held
fast to their end. Khurshah shouldn’t have trusted his Mongol bodyguards
as
I do not trust the Curators here. How Museum’s scramble to service the dying.
what
about us is left of those who believe? The gallery is centred by a square
with
a cross. It is the Templars emblem. It is here I stand, honest.
by KJ Hannah Greenberg
When no one was looking,
I made a mark, on a wall.
Brightly colored, that line
Exclaimed my victory over
A small area.
Then it rained.
More precipitation, even entire seasons,
Passed in clouds. Originally
Grotesque, my smudge found peers,
Discovered equals.
A rising sun muted blotches,
Also mine. The war, too,
Blotted more than scored.
Support crumbled;
Society stood still.
Later, a backward leaning tree,
Ripe with incendiary stains,
Which had protected my smear,
Was felled for fuel.
Children were hungry.
A particular youth,
In a select ghetto,
Likewise hacked into securities.
No government device
Deterred her legend.
by Lou Davies James
Beyond these walls
of stone and ancient clay
erected each on each
with wild care
as if by some
crazed workman
underneath the moon,
unseen by all
save owls and elves
and those about by night
a garden lies-
exploits of abandon
beauty in neglect
spoiled and sprawled
on canvasses of thought;
uncultivated bloom
of manic joy
raucous colors
spread before your eye
as keys are turned
and hinges scream
with ache and under-use.
Find my heart
in fractured
panes of light
on butterfly-wing
surfaces divided.
Can wings so small
cast shadows
as they pass
across the upturned
contours of your face?
Ascension
by Lou Davies James
Yesterday
you came to me-
a winged thing
awash in shine and shadow
flitting bright
on trembling leaves
kiss of summer
brushing
autumn's face,
lowered eyes
to highest bough-
the sun, forgotten,
golden on my own
you, my breaths
ascension through it all,
the world as tender
shreds of light-
a clutch of feather
waiting for me there.
Measuring Bliss
by Lou Davies James
Sunlight spills and pools on
my grandmother's patchwork quilt
through the thin, embroidered
curtains in my room.
I step into the day
opening doors and windows
drawing in the morning air
cool off the ocean
feeding cats and kittens on the deck
squeezing juice and sipping as I write
what spills and flows,
feeling it come, letting it go,
lulled by errant phrasing as I stir
dusky berries into batter
fresh cut lemon stinging
winter-weary splits on my thumb,
singing Joni
Mitchell
as I wash the spoons and bowls
and smell the muffins rising in the heat.
Sweet days and dreaming,
bliss measured in moments,
fleeting in the light that pours
through my open windows.
The Recluse Soul
by Lou Davies James
There is a recluse soul resides within
that shuns the frantic workings of the day.
The world is too much with me on the whole,
I long for time alone- would steal away
from every earth-bound hope and mislaid dream,
apart from lovers known and those denied.
In solitude to rock, and rock again-
keep Silence as a friend, all else aside-
in depths of green where stars through branches fall
my day-dreams skipped like stones across the lake,
where time is relished. Face into the wind
that bends me low- too supple now to break.
Those days of quiet joy sift through my hand,
a thousand grains of pure and golden sand.
by Robert Laughlin
neck-shot private...
final thought...
screams have no accents...
Thinking How "Click" and "Murmur" Used To Mean Something Else
by Lyn Lifshin
it would be a new lover
breathing in my ear and
my thinking "we do,
we click." Or the click
of branches, the bent
maple leaves' murmur
braiding with night's
wetness. Click of the
gas stove when I'd
make mango tea, curl
around the fire. Then the
murmur of logs crackling
and whistling, click
of the key when
it was still dark and
I was standing in pale
chiffon, waiting
for him to murmur into
my hair.
Past Yellow Poplars
by Lyn Lifshin
chestnut, oaks and red oaks,
a few hemlocks. Squirrels,
chipmunks, rabbits, wood
chucks. On the way into the
park you buy a year long
pass. "We can use it next
fall." I think of poems
where each holiday has
a different flavor, lemon
meringue, orange berry,
candy apples, latkes and
how after a death or
divorce the holidays blur.
You go out to eat. The
rituals you and I have,
driving into National Parks,
the smell of pine boughs
and cedar, the icy chill
as sun goes tangerine,
your fingers under my
sweatshirt. I would pick
Paris or Madrid myself,
know alone, I'd never drive
these narrow chestnut
tripped roads, only
hope for this ritual
The Carpet Merchant's Daughter
by Mira Martin-Parker
She was a dark eyed girl.
Raised to be amazingly tolerant
and to accept the unacceptable
with a smile.
She’d call you right back,
come right away,
do the right thing,
(and the wrong thing too,
if that’s what you wanted).
She was easy,
kind, compassionate.
Asked for little
and got less.
(But kept a hidden stash—
some Persian gold, a Coptic cross,
a bronze bracelet dug
up in the
Some said she was not very bright,
but had a nice smile.
And was young,
very young.
“Rasool, sit down, have a cup of tea.”
“Alexander, roll out the Gabbeh, let’s have a look.”
“Wali, how’s the wife, the kids?”
“That daughter of yours—how much?”
Kitchen Girl
by Mira Martin-Parker
I store my socks in the oven to keep them warm.
I make soup with color-coordinated vegetables—
purple cabbage, beets, red onions, and chard.
I rub my face with oatmeal and steam my head in peppermint tea.
I wash my clothes in the sink and dry my towel on a chair by the stove.
I read by the stove, sticking my feet in the oven to keep them warm.
I dye shirts in my left over soup and rub my handbags down with cooking oil.
One day I boiled all my old correspondence and unpaid bills in a pot on the stove.
I sat there laughing, toasting my feet in the oven to keep them warm.
Concealment
by Mira Martin-Parker
Truth, in its essence, is un-truth.
—Martin Heidegger
It was all senseless really. An experiment. A little test to make sure my
students
were paying attention. One night while giving a lecture I started talking trash
just for kicks, going off about Being this and Time that, telling them about the
ontic priority of that which shows itself in itself for itself. After all,
Dasein is a
being that doesn’t simply occur among other beings, and so on. Everyone
loved
it, especially the girls. My classes became so popular they had to give me a
larger
room, a bigger office, and a better position. Then came the books and the
pernicious relativising of phenomenological standpoints and so I said screw
it
and kept going, made me a bit of cash, did a little destructuring, traveled to
Italy
and saw some of my former pupils while wearing a small offensive pin on my
lapel, just to get on their nerves. What’s the big deal? Kant himself knew
that he
was venturing forth into an obscure area, and he was a terrible writer. But me,
even the poets love my crap. Oh to fix these boundaries, to work out the tacit
conceptual functionings of the cogito ergo sum and kick it all to blasted hell
once
and for all. Beings show themselves to themselves in various ways and I have
chosen to let my fingers to the talking, to tap my way to the heart of my girl,
my
pretty young thing. We used to discuss concealment late into the night she and
I,
and even that fairly intelligent creature didn’t see through my joke, my
50,000
pages of good times and fun.
by Donal Mahoney
In this college town
three girls of Spring are fresh bread
brown before the noon of May.
In pink and yellow frocks,
with hair unfurling in the breeze,
they laugh and glisten in the sun
and like good daughters wave
to the old professor on a bench
who’s waiting for the end of day.
He waves back and smiles his best,
knowing girls like these, once close,
now wander many miles away.
by Donal Mahoney
Stunned by July in a hammock
he remembers the apricot wife
no longer here
one curler more and the flutter
of leaves in the orchard
the sound of trees
letting go
a downpour of plums
flowing over
the wicker
propped open
below.
by Donal Mahoney
Light ambrosia of the sun
is over all of her.
She is shy
the way the flicker
pink of rabbit eye
is shy. Within the
almond hair, cliffs
of cheek round in, where
unifies her chin.
There, two birds meet before
they carry out her smile.
by Donal Mahoney
A moment ago,
in a flicker of pique,
with a wave of the hand,
I dispersed them.
Glorious birds,
now they are back,
gold talons wrapped,
roosting.
Glorious birds,
high on a wire,
spearing the nits
in their feathers.
by Donal Mahoney
For Martha in the early years
life was recess, nothing more.
She knelt on asphalt,
quartered oranges for kittens
who never lost stringed mittens,
whose London Bridges
never fell down.
For Martha now,
life’s Parkview Manor
where a woman in white,
three times a day, bleeds
an eighth of a lemon into her tea.
by David R. Morgan
The lead cold moon
darkens and dwindles
and the frail sun
slips under the hills
heading south.
Shady flocks settle
on the shadow groves.
Night of earth sleep
pulled by the moon
gathering gloom underground
swallowing stars as you fit
my body to yours,
turning in slumber,
stone to breathing soil;
a sleepless appetite
prowling in the dark.
Pressure Point
by David R. Morgan
I'm on the sacred anvil,
and the blow is poised above.
Everything in me pushes outward
against the boundaries of my body.
Earth presses up from below,
and the sky is bearing down.
Your absence surrounds me, and everything
about you weighs heavily upon all my surfaces.
I am the intricate entity on this profane plane;
the hard head of your hammer rushes to greet me.
In the Library
for Amelia Earhart
by David R. Morgan
Arms attempt their reach;
catch the book before it flies.
You left the plane briefly
to join a crowd of Javanese,
walking up a volcanic mountain.
They laughed and talked,
they carried baskets
and assorted loads on poles.
"Sometime I hope to stay
somewhere as long as I like."
Arms attempt their reach;
catch the book before it flies,
from the top shelf.
For the last long passage
along the map, seeking a shadow
of land, you abandoned personal items;
souvenirs, also the parachute,
useless over the Pacific,
mirror of the sky.
Your plane staggered
from square to square.
Before what is myself becomes
stiff and glazed, I will talk to myself,
to you.
The plane staggered from square
to square with the weight of fuel,
becoming lighter, then
light. Sea dark as a cell door.
The last square was
an island, but you
never landed there,
nor ever could.
Arms attempt their reach;
catch the book before it flies,
from the top shelf towards the stars.
I am drawn, dayspring and diligence,
by the pilot at the sea’s foundation.
I want to remember you entirely,
find your lack of fear, shape
the years left to me into a flight
that embraces the world
and let go only when
there is no other way.
Before what is myself becomes
stiff and glazed, I will talk to myself,
to you, as we fall, we fall;
the book always beyond our reach.
But at that moment, because of this,
we will be falling … together.
by Iolanda Scripca
Lace of dreams— long time gone
Embraces waist of maiden
An off- white whisper's subtle tone
Drops shyly pearls from Heaven
Breeze flutters holographic Me
My wounded captain has returned
I feel like floating rainbow glee
His eyes are red and face is stern
He drops his gear and runs through me
A desperate undertow of sorrow
I never felt so loved and free
He screams as there is no tomorrow
The dawn drops soundproof double door
I leave him lonely in the wild
Surrendered heart returns to war
As I find peace along with child...
Nothing Happened Here
by Iolanda Scripca
Windowless space screams
Feet spasm in betrayal
It's too late to change his fate
Chair pushed to the side
Life tossed away in the trash
If only the rope could talk...
The Return
by Iolanda Scripca
Fog rusts railways seemingly parallel to
nowhere...
Phantoms sit down on the cold metal trying to warm up
The moon smokes bats with stars as echo location
A janitor cleans up the daily memories of men with shoes
Taxi drivers fall asleep in line waiting for customers who never come
*
I fly up high but nobody seems to care I am coming home
The walnut tree recognizes me and smiles with lips of rings
I am coming back to childhood as I was ruthlessly exiled
I feel my shoulder blades happy with buds of wings of cotton candy
There is nobody in the Control Tower
I just realized...
...I lost my shadow twenty six years ago...
by Nicole Taylor
Saturday morning I saw three brown deer
on ridge, hill overlooking Lake Siltcoos.
Saturday afternoon we saw more deer
behind Gratke Dining Hall and beside it,
behind the water sliders.
Saturday evening we saw two raccoons
near the lifeguard stations, above the Siltcoos beach.
Not too close for these autistics to touch but here
at camp was so much other stimulation, even
a stimulation room of touchable toys, items.
Sociology Study
by Nicole Taylor
Three guys and two
laptops sit beside
me all studying sociology,
discussing caste and class.
nibbling on my raspberry
muffin and fruit tea at the
Governor's Cup downtown.
Three guys discuss the
very poor, welfare
and the very rich and
J. K. Rowling who has
no royalty access. I
sit drawing a poinsettia
this December.
Much later I ask
What are your majors?
English.
How will you use this?
Everyday, This is so
interesting.The teacher is
great, one tells me.
Then one says to the other guys
I can't imagine dropping
from middle-class unless
disabled and my uncle moves
away to Europe. I
walk away annoyed wanting to
explain welfare to them,
the many forms, intrusive
papers and appointments.
surfing at the grocery internet cafe
by Nicole Taylor
sitting across from four colorful paper cup in art prints.
to the right side of the small starbucks cafe in w. salem safeway,
across from aisle 9 with laundry/ home/ pet care
and aisle 11 with personal care/ toiletries.
perishable at check stand 5. thank you.
all managers to the front office.
attention service desk 250.
attention floral department 201.
attention shoppers, take home our meatloaf
and receive a free lipton's iced tea.
customers walk past and laugh
and comment on the laptops.
but i don't have internet in my new apartment yet.
but i'm emailing editors, poets, friends, a nagging family.
and i can't concentrate here.
and i can't tune out the clatter and the crying children.
i'm near a guy with a large hd pc laptop,
baggy shorts for his large frame but
with his slushee on the floor and
his snobbery on his face.
three retirement home residents
wait for their ride and watch us.
i watch a young lady walk past us
in orange and blue striped pants.
i'm watching shoppers leave with
corona or miller cases or
pepsi cases and more.
so much beer. for this football season?
in the past week i've seen my 20 year old nephew
who is assisting, caring for his other grandmother after a stroke,
my former ymca yoga teacher, a slim marathoner
and my 48 year old brother Jeremy who is living nearby
with his girlfriend and her large family so he
leaves with his harvest summer ale to relax.
i forget there is a pharmacy
and a wells fargo bank here,
and a floral department here also,
so many other services and departments.
Song Cliche
Play
or The Love The Love The Love
About no one in particular
by Nicole Taylor
Ain't talking about love.
All my loving.
All out of love.
And I love her.
All you need is love.
Can't buy me love.
Can't stop talking about love.
Crazy little thing called love.
Feeling love.
Fool for your loving.
Give me love.
Good old fashioned lover boy.
Have you ever really loved a woman?
I don't want to live without your love.
If you love somebody . . . .
It's only love. Is this love?
I will always love you.
Jesus loves me.
Lost in love.
Love bites.
Love in an elevator.
Love is dangerous.
Love me do.
Love me tomorrow.
Lovemongers.
Love over gold.
Love rescue me.
Love in stereo.
Love is stronger than justice.
Lovething.
May this be love.
Make love out of nothing at all.
Mother love bone.
Ruby love.
She loves you.
Soldier of love.
Somebody to love.
State of love and trust.
The deeper the love.
The one that you love.
The loved one.
This ain't a love song.
Tunnel of song.
What about love?
What kind of love are you on?
When love and hate collide.
When love comes to town.
Will you still love me?
Why can't this be love.
You'll know you were loved. and many more.
Comedy Night at The Space Pub
by Nicole Taylor
Seth
Met another comedian at Coffee House Cafe. He jokes of local drug scene in
Oregon cities.
Chris
He jokes one-liner food jokes and college drug scene in Eugene.
Shane
He's too good for food stamps. He jokes Fanta girls and babies with hats scare
him.
Will
He yells I lost my joy. Don't leave your joy sitting out, yells Don.
Randy
My wife is expecting a son, he tells us. He jokes of possible names and when a
middle school teacher told him his name means horny. He tells this was
uncomfortable for a thirteen year old boy.
Don
Jokes I'm the guy with one of four subjects. Mel Gibson, Microsoft/ Bill Gates,
soft drugs, . . . . He probably has a few more than four joke
subjects.
Aldo one of the recent bands advertised, Paperboats.
Jess
Watches, laughs and closes bar, again barefooted.
by Davide Trame
They are busy and their breathing
is so clearly beyond thoughts,
the roaring is the wind in the fir-trees
or the river, I am just up here
and it's full, the huge gorge,
of the swarming the currents forge.
I am thinking of the way they'll last
in the memory,
the ceaseless sweeping of voices,
the filtering branches.
A sweeping that can carry a scare,
its brink unfaltering
like the thereafter, and just there.
A Wind Gust
by Davide Trame
High up the crowd of short fat pines
covers the rocks with raised arms,
their spiky green is carved on air
in the vast hush of a stare;
a wind gust lets the sun out
like a bird of prey’s blaze,
a breath that swoops and sweeps.
At once there’s a gash in the heart
where joy and pain are the same,
in one step you swallow it all
and know the strength
of what just is,
the clash of rain and light
and the simple choice of walking.
Not Just Mountains
by Davide Trame
The stony silence of the scree
not broken by reinforced
by the dropping and rolling
of a single stone.
The marmot out of a hole
like a root’s soul,
a whistle piercing
the seconds’ heart,
the resin smell filling
a beehive of pine needles
with its cleansed sunlit heat,
the sign at last: red and white
on the grey rock,
two fat stripes
that are the steps’ reassurance,
in the wood now, soft turf underfoot
a fulfilment after the rasping
hardness of the scree.
And later the wood smell welcoming
your sweater in the drawer.
Not just mountains.
by Suzanne White
You were your grandmother's grape,
life vine in vitro.
Prayer-shaper, floating
in dark dream waters,
some nights I swam with you.
Like a glowing god-fish,
your light healed cancers
over thousands of swells-
A handprint in the sand
of my stomach,
flamenco dancer to
pulsating blood of Spain,
you picked like grapes from the vine
clacks and castañuelas of stars.
not at all
by Suzanne White
The tatooed walking man
talks politics to his follower dogs.
The fountain is a giant birdbath
through willows and cypresses,
I sit in the plaza terrace,
not at all bothered by my last euro.
I'm watching a foreigner a couple of tables down.
She's with her notebook and cigarette
in the sun.
The Spanish would chide her for that.
She's got on a purple cotton dress bunched at her breasts
to hold them up. I like that style in summer.
In my imaginiation, I go to her, ask to sit
and we make friends. We finish our coffee
and then order beers. The day laughs past noon,
and drunkenly proposes that it will miss sunset today,
to be with her. Let's go down Calle Elvira
to hang with the denziens smoking hash.
'You can practice your Spanish.'
She gets up from her chair and there's a sweat stain on her dress.
I am not embarrassed for her at all.
The city is half-way deserted.
Only the all-terrain vehicles are left,
hardened souls that can handle the toxic August.
I open my parasol and we walk arm in arm,
quenching our thirst with every line on our faces.
Back at the terrace, I swallow my dregs,
and notice too late that she's left..

|
Revolver
Concert Spencer Carvalho |
Fruit,
Friend, Foreigner Eric G. Müller |
by
Spencer Carvalho
long
line of people wait outside the concert hall hoping not to die tonight.
Lucy Cooper stands huddled close to her fiancé, James. She inhales cold
air and exhales steam. Further up the line closer to the concert hall
entrance she can see the marquee lights showing the words DAVID WILDE and below
that in smaller letters REVOLVER CONCERT TONIGHT ONLY. Closer to the
entrance is a reporter and camera man interviewing people. Between her and
the reporter is a man in a black security jacket wearing a headset and holding a
clipboard talking to the people in line. Lucy is unable to hear him.
James looks to Lucy and says, “Don’t worry. We’ll be in soon.”
The man in the black security jacket finishes talking. He moves down the line to where Lucy can hear him.
“All right, the show’s going to be starting soon so I’m going to explain a few things and then get you guys inside as soon as possible.”
The crowd cheers.
The security guard continues, “For most of you this is probably your first Revolver Concert. What you’re gonna do is once they let you inside you’re gonna proceed to the security checkpoint. There they’re gonna check your ID to make sure you’re at least eighteen. Then you’re gonna sign the life waiver and then they’ll let you into the main hall, any questions?”
No one says anything.
“Alright. Good.”
He moves forty feet further down the line and starts talking to them. Lucy looks to James and asks, “Life waiver?”
“Yeah, it’s just some legal thing so no one goes to jail.”
“I’m still not sure what’s going on here.”
The guy and girl in line in front of them turn around. The guy has his arm wrapped around her shoulder.
The girl looks at Lucy and says with a smile, “I’ve been to a Revolver Concert before. You wanna hear about it?”
“Yeah, sure.”
“So okay, my name’s Joan. My boyfriend’s Ted.”
“Hey,” says Ted.
“Hi,” says Lucy.
“So before the show starts,” Joan continues, “this guy in a black suit comes out carrying an old wooden table about two feet wide and places it by the microphone stand. Then he opens the drawer of the table and removes the revolver.” She smiles upon saying the word revolver. “He places the revolver on the table, closes the drawer, and just walks away. Then later, David Wilde comes out and at random points during the show he fires the gun into the audience.”
“So at every show six people die?” asks Lucy.
“It’s not always six,” Ted says. “Sometimes the bullet goes through someone and he gets more than six and sometimes people only get wounded.” He laughs and then says, “And this one time Justin Carter, the leader of the boy band Back Degrees, went to a show and David Wilde comes out, sees him and just shoots the guy six times. It was great.”
Lucy looks to James and asks, “So, we could die tonight?”
He smiles and says, “Babe, it’s like a six in ten thousand chance.”
Joan chimes in, “Hey, I look at it like fate. If it happens then it’s meant to be.”
Lucy ignores her comments and asks, “Six in ten thousand, but there’s still a chance we could die?”
James smiles and says, “Sometimes you have to take chances in life.”
Lucy looks down and starts pondering this idea in silence when the line begins moving forward.
“Finally,” James says as he cranes his neck upward.
The line moves quickly as people start filling the concert hall. As soon as Lucy enters the two large double doors to the building, the heat hits her. They continue to the security barrier. She hands a security guard her ID which he swipes through a machine. A green light flashes and she is allowed to pass to the next station. James passes under a metal detector and she follows. Then they approach a security desk. Joan and Ted quickly sign the forms on the table and then pass through. Lucy and James both approach the table. He quickly signs his form while she starts reading hers.
“Um, excuse me?” she asks one of the security guards.
“What is it?” a guard behind the desk asks.
“What does this mean when it says the participant forfeits his or her life for the duration of the concert?”
“It’s just legal stuff.”
“Yeah, but what does it mean?”
James looks from the guard to Lucy and says, “Just sign it, okay.”
She looks at him for a few seconds and then places the waiver on the table, picks up a pen, and signs her name. The red ink disturbs her. She puts down the pen and James grabs her hand as they move past the security barrier.
She looks around at the various concession stands and merchandise booths. She sees Joan and Ted looking at shirts and posters. Behind her she hears someone talking really loudly and turns to see the camera man and reporter from outside now inside interviewing people. James also turns around to watch them.
A young, smiling girl wearing a David Wilde shirt says to the camera, “He’s just so handsome. He’s really great.”
“Yes, but what about the fact that he kills people at all his shows?” asks the reporter.
“Well, it’s kind of like a spiritual experience because there’s all this like life all around you and when someone in the audience dies it’s like, like their life leaves their body and like spreads out into the other people in the crowd. It’s really amazing.”
“What do you say to the people that say that David Wilde is only doing this because he can? That he’s using his celebrity status to legally kill people?”
“Well, they don’t understand him the way I do. He wouldn’t do that.”
A guy wearing another David Wilde shirt walking by stops and yells at the camera, “David Wilde rules!”
The reporter quickly moves from the girl to the new guy, “Excuse me, but why are you a fan?”
“Because he rocks!”
“Are you worried about getting shot tonight?”
“No way. My friend Jimmy who’s like really good at math told me that, like, David Wilde usually shoots people towards the front, so like, if you’re in the back then you’re fine and there’s a less than one percent chance of being shot and I’m in the very last row.”
Lucy looks to James and says, “We have seats up front.”
“Of course. I’m not going to a David Wilde show to sit in the back. Besides the seats up front are cheaper.”
“James, I’m not so sure about this.”
“But babe, we’ve been through this already. If we’re going to spend the rest of our lives together we need to share our interests. You’ll see. You’ll love the concert.”
He looks away from her and to all the different people moving around the crowd. Lucy looks back at the reporter who is talking to another person.
The reporter asks the new guy, “What is your name and what is your favorite David Wilde song?”
“My name is Gene and I love the song Try It.”
“And why is that?”
“Uh, well, ‘cause I’ve got my own band called Violent Thunder and I’m the guitarist so I like Try It because it’s the ultimate guitar song.”
The reporter looks at the camera and says, “For those viewers at home who don’t know, Try It is an entirely instrumental song. It’s supposed to be the hardest electric guitar song in the world. In fact, David Wilde has said that the first person to be able to play it properly will get a million dollars.” The reporter looks from the camera to Gene. “And how are you at the song?”
“Well, I can play it but it takes me too long. The song is three minutes so to get the money you have to play the song in three minutes or less. I’m down to twenty-seven minutes, so I’m getting there.”
The reporter looks back at the camera, “A testament to how fast David Wilde truly is.”
An announcement blares over the loud speakers, “You may enter into the main hall now. The show will be beginning shortly.”
The reporter continues, “And I’ll take that as my cue. From KIS news this is Bonnie Benatar reporting.”
“And we are out,” says the camera man.
Lucy looks at James.
“Come on,” he says as he pulls her with him into the main hall.
They get to their seats very close to the stage. She looks around frantically as all the other seats eventually get filled.
A man in a black suit appears on stage carrying an old wooden table. Upon his sight the crowd begins cheering. The man is wearing white gloves that match his white hair. He places the table by the microphone stand. He opens the drawer and removes an object which he places on the table. The crowd cheers again. Lucy is unable to see it but knows that it is the revolver. He then closes the drawer and walks off stage.
The stage lights dim and out walks David Wilde. The audience screams with joy at the sight of him. His long hair partially obscures his face. He has an electric guitar with a strap around his neck and is holding an acoustic guitar is his right hand. He places the acoustic guitar against the old wooden table and adjusts the strap of his electric guitar. The crowd continues their cheering. He carefully looks out at them. His eyes scan out over the different people ready for his music. His eyes lock with Lucy’s and he smiles.
He then leans toward the microphone and says, “Let’s start this show with a bang,” and quickly picks up the revolver and fires out into the crowd. “Now who’s ready for some music?” The crowd cheers.
David Wilde gives the greatest musical performance Lucy Cooper has ever seen. The sad songs make people openly weep. The uplifting songs make Lucy feel as if she’s riding a roller coaster. He switches from electric to acoustic guitar depending on the song. One song called Different Ways is first played electrically and then acoustically. Lucy loves it each time and has trouble deciding which one is better. Despite her enjoyment she is distracted by trying to keep track of the number of times David Wilde shoots out into the audience during the show. When he plays Try It she sees hands move faster than she thought was possible. When the song finishes she stands up and cheers.
He looks across the audience and his eyes linger on Lucy as he says, “One more song.”
The crowd collectively says, “Awww.”
He plays the song Farewell. When he finishes, the entire audience gives him a standing ovation. Lucy stands with the crowd. He removes his guitar and places it by the old wooden table.
“That was amazing,” says James.
As the applause continues David Wilde locks eyes with Lucy and maintains the gaze until the applause dies down. She is mesmerized by him. The applause eventually stops completely with David Wilde still standing by the old wooden table. The crowd just stares at him expecting something to happen. He just stands there quietly staring at her.
Lucy hears a guy behind her say, “Weird. I only counted five.”
David Wilde picks up the revolver, points it in her direction, and fires. James’s entire chest seems to explode as the bullet hits him. The crowd starts cheering again. Lucy hovers over James’s bleeding body. The concert hall starts emptying. She yells for help as the people leave. Most of them ignore her. Some take pictures with their cell phones. No one helps her. The concert hall empties except for Lucy and James.
“James, I’ll go get help, okay? Okay? James!”
His eyes are lifeless. A strange
smile is permanently left on his face.
From behind her a voice says, “Miss.”
She turns around and sees the man in the black suit with white gloves.
Very softly and calmly he says, “Here.” He hands her a red rose and says, “David Wilde was wondering if you would perhaps like to accompany him on a date tonight.”
The Dreaming Season
by
Margaret A. Frey
by
opcorn
Sutton woke with a choking start. He'd fallen asleep dreaming of Elvie Myers, a
woman he hadn't seen in thirty years. But now flames lapped the lean-to,
engulfing his mash barrel and thump keg. He scrambled up, then kicked dirt on
the fire, even swatted the flames with his shirt. Lost cause. Retrieving two
mason jars, he hurried to safety.
The still would blow, no doubt about it. He'd have a front row seat but it
wouldn't be pretty. The sparks jumped into the blue-gray air; the smoke curled
like kudzu through the trees. Popcorn knew how this would play out. Old man
Tyler would smell the smoke, give thanks to Jesus, and then tell his fat wife
how Popcorn Sutton had stepped in it good. Amelia Tyler, known as the Gossip
Queen of Parrotsville, would telephone Franny Ritter, cheerfully declaring that
he, Popcorn, would be paying the Devil come sunset 'cause wicked deeds beget bad
ends. The news would travel down the mountain like grease on a griddle until it
caught up to Sheriff Mac. There'd be a-whooping and a-hollering as the sheriff
and his numbskull deputies congratulated one another and retold the same
tiresome story: how they were the frontline defense against lawlessness and
tax-evading moonshine boys. Of course, they would forget the years they'd been
steady customers, turning a blind eye for a stash of free hooch.
If Popcorn had been a younger, sturdier man he'd be halfway to Georgia. Yes sir,
a man could lose himself easy in Atlanta. But he was past his prime, well into
the dreaming season, where conjuring Elvie Myers and her large soft breasts was
a cozy, endlessly satisfying pastime.
Minutes later, a siren wailed. Bracing his back against a sturdy outcrop,
Popcorn opened his jar and took a long, hard swallow. "Likker and
dreams," he muttered. "What else could a man ask for?" The sparks
jumped high, higher.
"Nothing," he muttered. "Not a damn thing."
harles,”
Dora Evans called to her husband from the kitchen, where she held open the
refrigerator, “we need bread and milk.”
“We don’t have any left?” Charles said loudly, without turning away from the late evening news.
“Just enough for breakfast, dear,” Dora answered, taking out a piece of chocolate pie and then closing the refrigerator door. “Do you want a snack?”
“No, no,” Charles declined.
“I think it’s supposed to snow tomorrow,” Charles commented, as Dora rejoined him in the living room. He sat at one end of a large, green couch that rested heavily and directly in front of the television set. Dora sat beside the couch in a well-padded wicker chair. “Should you be having that? Your cholestrol.”
“The weather will be on next,” Dora said, ignoring Charles’ warning. “They’ll tell us if it will snow or not.”
“Wish we still had the car,” Charles said. “I hate being old.”
“No you don’t,” Dora laughed. “It gives you license to complain about everything and no one ever contradicts you.”
“You do,” Charles groused.
“That’s my job,” his wife smiled.
“I still wish we had the car,” Charles repeated. “We could zoom right through the snow.”
“The last car we had couldn’t ‘zoom’ through anything,” Dora reminded her husband. “It was two-wheel drive and slid on anything even remotely wet or slick.”
“Hmph,” Charles grunted. “You shouldn’t have that pie this late.”
“Please,” Dora sighed, rolling her eyes. “I don’t believe it matters at our age whether we sneak an extra piece of pie or not. Besides as skinny as you are, you should eat more anyway.”
“Bah,” Charles grumbled again.
Charles and Dora had been married over fifty years. Neither could recall much of life prior to their time together. They had met in college and fallen in love, passionate love. But after fifteen childless years, they had hit a sour patch. Charles strayed a few times and Dora considered divorce. But no sooner had the patch developed, than it ended. Charles rediscovered his commitment to Dora and they passed over the rough spot. They concentrated on their university careers, his as a professor of math, she as a Victorian specialist in the English Department.
Finally, after thirty years together they had settled into a comfortable life of mostly companionship and mutual support. They attended academic functions together, traveled abroad, enjoyed their lives as a well-respected couple on campus. And they grew into a relaxed old age, a warm, golden time highlighted by pleasant company and easy friendship. When they retired from the university they became each other’s constant companions with the matronly Dora’s calm personality the perfect counterpoint to scrawny Charles’ occasional grumpy frumpiness.
These days, as the couple approached their eighties, life had become quiet, almost still. The parties were mostly a thing of the past, old students seldom came by anymore, and the couple relied more and more on each other’s company. They breakfasted, puttered around the house or out in the garden in good weather, walked up the hill to the little store where they bought their groceries. All in all, they had found a level of contentment that worked for both of them.
“The weather’s starting,” Charles said, waving his arms as if Dora couldn’t see the set six feet in front of her.
“They never get it right anyway,” Dora said, dismissing the chunky, pseudo-meteorologist who appeared on screen with a smile wide enough to perhaps endanger the muscles in his cheeks and jaws.
“Hush,” Charles told her.
“We’ll see how the weather is in the morning anyway,” Dora said, burping loudly at the end of her sentence.
“See,” Charles said, pointing at her. “I told you not to eat that pie.”
“You hush,” Dora said, but she put a hand over her mouth to hide another belch. “I’d better get some orange juice to wash this down with.”
“Be better off with a 7-Up,” Charles said.
“You be quiet,” Dora said, rising. She rubbed her chest when she was out of Charles’ sight and made her way back to the kitchen for the orange juice.
* * *
When Charles and Dora got up the next morning the sky was gray with snow clouds heavy with moisture. Dora made them a traditional breakfast of eggs, bacon, toast, and milk and they read the morning paper as they ate, Dora hiding her continued indigestion behind the entertainment and travel pages.
“We still going to the store?” Charles asked, setting the sports section down on the table by his dirty plate.
“We need to,” Dora said, belching quietly into her paper.
“It’ll be cold,” Charles noted the obvious. “You just had bronchitis for cryin’ out loud.”
“Worry wart,” Dora countered.
“Doctor says you should take it easy,” Charles warned.
“Doctor doesn’t live here, does he?” Dora smiled.
“Hmph,” Charles grunted. “That makes a lot of sense. I wish we still had the car.”
“Walking is good for us at our age,” Dora said, folding the newspaper and setting it on the table. She collected all the dishes and took them out to the kitchen.
“I don’t know,” Charles said when she returned to the dining area.
“Oh, come on,” Dora said with a smile, “it’ll be an adventure.”
“It may snow,” Charles declared.
“It is snowing,” Dora replied, looking out the living room window, “apparently for awhile, too. But it doesn’t look like there’s much wind and it’s not terribly cold.”
“How would you know that?” Charles wanted to know.
“It’s never terribly cold when it snows,” Dora explained, “at least not around here.”
“Oh,” Charles said. “Well, we should at least protect our heads.”
“I have my scarf and you have your hat,” Dora told him.
“Better than that,” Charles insisted.
“All right,” Dora said agreeably, “we’ll take the umbrellas.”
“Umbrellas?” Charles asked, shaking his head. “It’s not raining, it’s snowing.”
“They’ll be perfect,” Dora assured her husband.
“Hmph,” Charles grumbled, but he let Dora collect the umbrellas from a tall, metal cannister where they were kept in a closet by the front door. They kept their coats and boots in the same closet and Dora drew those out as well.
“Here,” she said, handing Charles his coat, boots, and one of the umbrellas.
“This isn’t my umbrella,” he said. “Mine’s black.”
“That is black,” she assured him, unsnapping the cover strap on her umbrella, “mine’s dark blue.”
“If you say so….” Charles began. Suddenly he grabbed Dora’s arm and umbrella. “Don’t open that indoors,” he cried, “that’s bad luck. Don’t do that.”
“Oh, for heaven’s sake,” Dora sniffed, “don’t be silly.”
“Don’t do it,” Charles insisted. “It’s a bad idea. A really bad idea.”
“Very well,” Dora said, setting the umbrella down while they put on their coats and boots.
“Ready?” Charles said, when Dora had buttoned his coat around the collar for him.
“Ready,” she said.
Charles exited the house first, Dora following behind. She began loosening her umbrella as she crossed the threshold and let it pop completely open out on the front porch.
“It’s really snowing,” Charles said, stepping onto the porch steps.
The snow fell hard, in big beautiful flakes, and it was accumulating rapidly. There was about three inches on the ground and the heavy sky promised much more in the hours to come.
“We’d better get going, then,” Dora said, suddenly having to repress another heavy belch.
As they walked down the street, snow crunching pleasantly beneath their winter boots, the elderly couple was quiet for awhile. They had been together so long that at times they had no need of conversation; they communicated their closeness and caring without words, by simply being together. For all his grumpiness, Charles had no idea what he would do without Dora, and she had been his friend and helpmate for so long she could not imagine a world in which Charles was not there either.
As
they began the climb up the hill to
“At least we brought these umbrellas,” Charles complained out loud, but mostly to himself.
Dora’s reply was a loud belch. She stopped and put the back of her hand to her head.
“Are you okay,” Charles said, turning back when he realized his wife was no longer alongside him.
“I’m fine,” Dora wheezed, “just indigestion.”
“Still?” Charles asked, scowling.
“I’ll be okay,” Dora reassured him. “I’ll be fine.”
“It’s this damnable snow,” Charles said, waiting for Dora to reach him. “We shouldn’t have come. I ….”
“Oh,” Dora groaned in Charles’ mid-sentence.
“What’s wrong?” Charles asked, reaching for her.
“I’m light-headed,” Dora said, “can’t breathe….”
Suddenly, Dora simply sat down in the snow in the middle of the sidewalk.
“Oh,” she moaned.
Charles was quickly at her side, helping her sit up next to the curb. He took her umbrella and held his over her head.
“Breathe slowly, sweetheart,” he said.
“I feel so weak,” Dora said softly.
“I’ll get help,” Charles said.
“Please don’t leave me,” Dora pleaded.
“I won’t,” he said.
At that moment, a lady, not so different in age from the Evans, came out her front door to see what was the matter.
“Please, ma’am,” Charles called to her. “Please call for help. Call 911.”
The lady hurried back inside her house. Charles turned back to Dora.
“Stay with me, Dora,” he said gently, “please stay.”
Charles knelt beside Dora then, let her rest her body against his. Her breathing was erratic and difficult. He kept his umbrella over them. The snow kept falling, heavily.
In less than ten minutes, the paramedics arrived. A young man and young woman, both of them strong, bright-faced, and very efficient, immediately took charge of the situation. They did their best to stabilize Dora, to control her breathing, to make her comfortable. When they had gotten her into their vehicle they laid her down on an emergency cot, put a warm blanket around her, and hooked an oxygen mask to her face. The young woman helped Charles up into the vehicle for the ride to the hospital.
“What were you folks doing out on a day like today?” the emergency room doctor who attended to Dora asked Charles after Dora had been hooked up to all the proper monitoring devices and was resting comfortably. “This was hardly the day for an early morning stroll.”
“We were going to the store for bread and milk,” Charles explained. “We don’t have a car.”
“Couldn’t someone have gone for you?” the doctor asked.
He was fresh out of med school and was filled with a righteous desire for people to take good care of themselves. It was the cornerstone of a good healthy life, he believed. Seeing these old people out doing something so foolish as walking in a heavy snow, seemed pretty peculiar to him – and counterproductive to their health.
“My wife likes to walk,” Charles said, “and we had our umbrellas.”
“Umbrellas in the snow?” the doctor said, controlling as best he could an ironic smile. Then seeing Charles’ sad, concerned expression, he softened. “Well, when it’s bad weather like this just be more careful.”
“Uh, huh,” Charles nodded.
“Your wife will be fine,” the doctor told Charles, putting a youthfully paternal arm around the elderly man’s shoulder. “We’ll need to keep her here for a couple of days to make sure her breathing gets nice and smooth and we’ll take some tests of her heart. She should make a full recovery. I’ll have our nutritionist recommend a better diet perhaps and a slow lead-in to an exercise program. At least in good weather she may be able to try that hill again. But not for awhile.”
“No,” Charles agreed, “not for awhile.”
“I’ve had the front desk call a taxi for you, Mr. Evans,” the doctor said. “The snow isn’t letting up any and you’ll need a ride home I’m sure.”
“Yes, thank you,” Charles said.
“There is a service in town that gives elderly folks rides,” the doctor went on. “I’ll have our people call them for you if you’d like. That way you can come in whenever you wish over the next couple of days to see your wife. I would imagine you might want to come back in the morning. We’d like her to rest by herself tonight.”
“Yes, yes,” Charles said. “That will all be fine.”
“Very well, then,” the doctor said as they reached the front desk, “our people will take care of all that for you, sir.”
“Thank you,” Charles said.
A young woman at the desk smiled patronizingly at him and the doctor hurried back to his work. Charles sighed.
* * *
Charles stood on the front porch knocking the snow off his boots before entering the house. He shook the moisture off the umbrellas, closed, and snapped their straps shut. Then he went inside. In the long hallway leading into the house, he paused and listened. It was so quiet and empty within that he thought for a moment he would cry.
He prayed to whatever power there was that he would precede Dora in death. He could see no way in which he could stand this terrible silence of nothing. He knew that without her, life would have neither purpose nor meaning.
Opening the hall closet, Charles prepared to put away the umbrellas. He knew that carrying those damnable things had been a bad idea – it was just plain bad luck. Unceremoniously, he deposited them in their tall metal storage cannister. He was glad to be rid of them. He wouldn’t use umbrellas in the snow again. Not as long as he lived.
Re-enactment
by
Eric D. Lehman
im
Boothby’s parents didn’t know much about
As Tim was led along the
gravel paths of the village square, he was astonished by the fresh white
clapboard buildings, so unlike those in his worn-out suburb.
The inhabitants of Branlee strolled the streets, dressed in period
clothing, going about their daily business of wool-dyeing, tinsmithing, and
pottery. Cows and sheep grazed in
the pastures that surrounded the town. Tim
watched swallows flit into a barn and feed their young, who cried from little
wattled nests. He smelled the dry
July earth and the smart punch of dung. For
lunch at the dark wood tavern, a hoop-skirted woman handed him maple beans and a
a small pot pie, washed down with his first ginger beer, so much richer and
fuller than the soft drinks he was used to.
He ran his hands along the snake rail fences, and peeked into the
chipmunk kingdoms of antique stone walls.
Amidst Tim’s wonder and
excitement, his hot, tired parents let him lead the way into the sizzle of the
blacksmith shoppe. The smith was a
tall, gray-bearded man, with twinkling green eyes and a pot belly.
He ran the bellows and stoked the fire absentmindedly, while keeping up a
steady stream of chatter to another family, who was watching the demonstration
intently. They thanked the smith and
left, and Tim pressed close to the rail. Just
then, his two brothers scampered out the open doorway.
“I’ll kill you!” one shouted, and his father ran out after them.
Tim’s mother stood at the door, watching out, completely oblivious to
the smith, who turned his attention to her third son.
“Well lad, and what do ye
know about the smithy trade?”
“Nothing.”
Tim shook his head.
“Well, then, ‘tis my job
to teach ye now, ain’t it?”
“I guess.”
“My name is Carl
Brownstone, and I was a third son, as well.”
Tim stared.
How did this man know?
“I’ve seen yer brothers
just run outside, lad.” The smith
laughed, turning a glowing piece of iron in the white center of the forge.
“I can’t say I think much of them, but you lad, have promise.”
Tim only nodded, thinking
that the smith Brownstone might be the wisest person he ever met.
He had been trying to convince his parents of that fact for years.
“But you’re not really a smith,” he countered the thought with a
childish negation. “Maybe your
name isn’t even Carl.”
The smith tapped his hammer
on the anvil, and then proceeded to bend the soft metal into a wicked hook.
“That’s where yer wrong, lad. My
name is Carl Brownstone, and I am
indeed a smith.” He held up the
hook as proof. “Perhaps yer
referring to all this?” He waved his arms to indicate the antiquated
surroundings. “Well, of course yer
right, lad. You’re a smart one.
But do ye want to know a secret?”
Tim nodded again, and stood
on the bottom rung of the slatted railing that kept him from the smith, who now
sidled forward, his twinkling eyes getting closer and closer.
“
Tim goggled.
“What do you mean?”
“What do I mean?
Why I once lived in a town just like yours, and went to work, just like
yer father does.”
“My father lost his
job,” Tim interrupted.
“Did he?” The smith
glanced at Tim’s mother, who was shouting across the green to her errant boys
and husband. “Well now, I did,
too! But you see, I knew a trade.”
He held up the hammer. “And
I thought, what better way to spend me life than here at Branlee!
I get to wear these stylish clothes.”
He fingered his sooty peasant shirt.
“And ply my trade, and bring some joy into the hearts of those who
visit. Now, lad, can ye think of a
better job than that?”
Tim thought hard, and
couldn’t. Just then, his father
and brothers reappeared, and the smith stepped back.
“Now, folks, have ye ever seen a fire as hot as this?
Nay, of course not!”
Tim watched the rest of Carl
Brownstone’s demonstration, entranced. His
mind was made up. He would make it
the goal of his life to work here, at the very best job in the entire world.
When he told his parents later that day over a Yorkshire pudding and a
second ginger beer, they laughed. His
brothers punched his thin shoulders. “You’re
stupid, only stupid people work at places like this!”
Tim shrugged. They could
think what they liked.
When Tim told his junior
high school guidance counselor that he wanted to work at
For the next four years, Tim
learned the ins and outs of the Village, sweeping animal dung, cleaning out the
barns, and building fences. He never
complained and was endlessly curious about every function of the place.
Carl Brownstone helped him for the first few years, before retiring to
travel the country in a recreational vehicle.
He kept in touch with Tim by letter, sending him postcards from various
historical sites and museums. The
letters stopped just before Tim graduated, but he never found out what had
happened. He assumed that the old
blacksmith had died, but he could just as well have settled down into some new
life at a Renaissance Faire or a
Tim was forced to apply to
various colleges, but the only one he wanted was in the nearby town.
It did not have a good reputation, but it was cheap, and Tim’s parents
gladly let him choose it. The only
reason, of course, was to keep working at Branlee, which he did for four more
years, apprenticing in the various trades of weaver, potter, and tinsmith.
He settled on tinsmith, finally, liking the way that thin sheets of metal
transformed into useful items. He
became the fastest tinsmith at Branlee, punching out candle-holders and
cookie-cutters, before moving on to cake pans.
Finally, the summer before he graduated from college with a degree in
general studies, Tim created his first chandelier, which sold almost immediately
at the Village Gift Shoppe, sealing his future with the village.
They hired him straight after graduation, giving him a small salary and a
living space in the period dormitories year-round, though most of the other
re-enactors lived there only in the summer.
Every day, Tim strolled out
onto the village green and breathed the fresh country air, smiling broadly and
greeting his fellow workers, who treated him with a mix of admiration and
head-shaking wonder. He almost never
broke character, and consistently helped bring up all the younger apprentices,
whatever their trade. He pitched in
whenever a building was being restored, and gave free demonstrations of
tinsmithing at local elementary schools and libraries.
He was the perfect employee, and the only fault that the administrators
ever found with him was a tendency to inaccuracy.
Once, his apprentice had complained about an incident with a school
group. “You see that grist mill
over there?” Tim pointed to the
building by the burbling stream. “That’s
where they grind corn for the cornbread in the tavern!”
The children nodded appreciatively, unaware that Tim had exaggerated.
The grist mill was used one time for such a purpose, on a special day
four years earlier. But the cornmeal
that Branlee turned into bread for the tavern had always been imported from
Tim did not know of the
struggles the administrators had selling themselves as “authentic” to the
critics, who often wrote in the city newspapers that Branlee “confused and
denigrated actual heritage” and “seemed more an idealized Disney suburb than
a working village of early
On Tim’s thirtieth
birthday, a skinny teenage boy came into the tinsmith shoppe alone, prompting
Tim to give a little speech, in honor of the blacksmith and all that had been
granted by him. “Well, young man,
yer just about the age I was when I first decided to come to Branlee!”
“What?”
The boy wrinkled his nose, and poked a tin sheet.
“Why, a blacksmith named
Carl Brownstone told me the secret of the village and I decided to stay here.”
“Why did you do that?”
“Well, I’ll tell you.
Much like yerself, I thought that this village was just a fun place to
come for an afternoon, until Mr. Brownstone told me the secret.”
“What is it?”
“All this is real, if you only believe it so.”
“Wow.”
The skinny boy seemed impressed.
“Perhaps some day, if ye
work very hard, ye could come here to live and work, my boy.”
Tim turned to punch a few more holes in the rim of a pie crust pan.
“But it’s all fake.”
“What’s that?”
Tim turned around.
“You’re telling me to be
a phony. I don’t think that’s a
very nice thing to do, mister.”
Tim stared at the boy.
“Nay, lad…”
“Stop talking like that.
I know it’s just for fun, but you’re not fun anymore.”
“Well, I’m not sure that
everyone would agree.”
“I don’t care.
I know you’re an actor or something, but you shouldn’t tell kids
it’s real like that. And anyway,
no one wants to work here – it’s just a job for people who can’t get other
jobs.”
“I beg to differ.”
“Well, my dad told me
never to talk to strangers,” the boy stated pompously, and walked out.
Tim Boothby turned back to
his shoppe. He had five milk pails
to finish by lunch time, and later was his birthday party at the tavern,
complete with authentic butter cake and beeswax candles.
Thinking fondly of the ghost of Carl Brownstone, Tim smiled and bent to
his work. He hoped that the lad
would reconsider, but didn’t care much. Of
course the youngster was right. Of
course it was a lie. He grabbed his
needlenose pliers and wrenched the soft metal into place.
by Eric G. Müller
e were lucky! She
didn’t see us, and now we sat in the cherry tree, well hidden within the green
canopy of the uppermost branches, eating one juicy red cherry after another.
They were hanging in thick clusters all around us like little ruby hearts.
For generations already her old cherry tree had been a favorite destination for
mildly wayward boys and girls. She was just the next in line whose job it
was to chase them away.
Joachim was tough and street wise. We were only in eighth grade, but he
was a little man and I was a big boy. He spat, smoked Gaulois cigarettes
– unfiltered, wore imported cowboy boots and carried Mao Tse Tung’s Little
Red Book with him wherever he went, reading it surreptitiously during class
at school. He had a girlfriend in Yugoslavia and he showed me a pack of
condoms to prove it. That didn’t stop him from groping the breasts of
some of the budding girls from our class who “wanted it” – or so he
claimed. He went to see the Rolling Stones when they rolled through
Stuttgart on their European tour, and was surprised that my parents wouldn’t
let me go. He was fearless and recklessly did whatever struck his fancy
– the notorious bad-boy of the class. Teachers were incredulous that
I’d become friends with him, and my parents were duly warned. But I
liked him. He was the only one who really showed an interest in me – new
boy that I was. We’d just arrived in Germany from Zululand, South
Africa, and I’d left all my friends and an entirely different lifestyle behind
me. With Joachim, at least, something was always going on.
“Hey, don’t eat too much, the best is yet to come,” he warned as I gorged
on the red delight.
“Better than this?”
“Come, I’ll prove it.” He popped one more cherry into his mouth and
climbed down. As we jumped from the tree, the old woman spotted us through
her kitchen window.
“I can see you,” she shouted. “I know who you are. I’m going to
call your parents.”
“And she will,” Joachim said, “but my Dad used to steal cherries here when
he was a boy. He doesn’t care.” He laughed and vaulted
effortlessly over the wooden fence. “Just wait till you taste the
strawberries.”
He was right. The strawberries were even better. But the strawberry patch
exposed us and Joachim warned that the farmer was no pushover like the old
crone. “He’ll shoot if he sees you.” The thrill of the
forbidden stimulated my taste buds and each strawberry became Eve’s greatest
gift. We moved quickly along the long rows, our fingers deftly digging
around the little green plants, spotting one perfect shaped heart after another.
I’d gorged on the cherries, but the strawberries made a glutton of me.
When the church bells tolled six Joachim stopped and said, “Must get back.
I promised Dad to help him unload the truck.” His father was a truck
driver.
Dinner was already on the table when we got back. I didn’t think I could
eat another morsel, but it wouldn’t be polite to refuse a meal. I was
relieved to hear it was only chicken soup, even though I was a vegetarian.
However, I had not bargained at the kind of chicken soup I’d be presented
with. I was used to a very thin broth, which even I slurped down when
feeling sick. But this was an entirely different matter. The soup
was filled with chicken hearts – perfectly intact little chicken hearts.
“You must be really hungry after playing around outside all afternoon long,”
Joachim’s mother said, smiling, filling my bowl. There were about twenty
of the little hearts floating in the brew. I thought of refusing, but I
never liked to make a fuss – and it was always such a bother to justify my
reason for being a vegetarian. I just don’t like meat – that’s all.
Nothing esoteric or otherwise! I was surprised, however, to see Joachim
slurp his soup down with such gusto. He’d eaten just as much as me.
Tentatively I put one heart into my mouth. It felt slippery and smooth,
like a cherry, except for the little arteries and aortas sticking out. I
bit down with my teeth. It popped like a cherry, but tasted like its
salty, evil doppelganger. I almost retched as I chewed the compact bundle
of undercooked meat – the flesh, soft and bloody. Nineteen more to go!
The concept sickened me. One by one I forced down this terrible fruit –
grotesque caricatures of cherries and strawberries. I swallowed each one
whole – unable to burst another fleshy piñata with my teeth. With
effort I swallowed each one into a place where nothing more would fit. And
still I had about twelve more to go.
I pressed them down, one after the other, like I was pushing my foot firmly on
the trash to get more into the can. It became a diabolical countdown, all
midst smiling and content faces. The little hearts looked up at me with
dull, bleary, bloodshot eyes. But I had to keep my composure; I was the
guest, after all. Oblivious of my state they asked me all sorts of
questions: “What was South Africa like? Did you see many
elephants, lions and tigers? (No tigers, but there are leopards) What
about snakes? Is it dangerous? Did you have to hunt for your food?
What are the natives like? Are there cannibals?” And I’d try to
answer as best I could while popping heart after heart into my mouth – full up
and still filling!
Three more to go; surely I could leave them without offending anybody. But
all the others had emptied their soup plates, even the cute younger sister.
I could hardly talk – the word ‘bursting’ took on new meaning. Yet,
I persevered till the end. Done! Yes! Finally!
A second later Joachim’s mother entered from the kitchen. “Here’s
the desert,” she sang, placing a big bowl of fruit topped with cream on the
table. Appalled, I looked over at Joachim. Surely he must be as
overstuffed as me.
Unaware of my pleading look, he grabbed his spoon, drummed on the table and
said, “Yum, I can never get enough of strawberries and cream!”
by Quentin Poulsen
*** I was lying on the couch playing with
Jonika’s kitten when she came into the living room and asked me if I’d like
to join them. It seemed an after-thought. I’d overheard them up in her bedroom
talking about it earlier and suspected her friends wouldn’t want me tagging
along. Besides, I wasn’t much of a movie fan, and ‘The Cancer Patient’s
Mother’ hardly sounded too thrilling. I was, nonetheless, being invited along
by Jonika herself, and if I didn’t accept I knew I’d spend the rest of the
night on the couch alone, feeling utterly miserable.
*** Barely two month’s after moving in, Jonika
gave me the news: “We’ve found a place. It’s absolutely gorgeous, right on
the sea, an’ within walking distance a the city centre. We’re so lucky!”
e
should hit the beach today,” Jonika said brightly. “It’s gorgeous
outside!”
I was like an excited kid as we prepared our picnic lunch. We were going to be
spending the whole day together. It seemed way to good to be true for the likes
of me..
Just a short walk from the city centre, the beach was inevitably crowded by the
time we got there, though we managed to find a spot for ourselves behind the
life guard’s tower. Only trouble was, we couldn’t go swimming together, as
one of us needed to remain on the beach to keep an eye on our things. Jonika
insisted I go first, so I stripped down to my old rugby shorts and went charging
in. I wanted to show off and let her see what a great swimmer I was, but when I
looked back from the water she was obscured by the crowd. Suddenly I was eager
to be back on the warm sand beside her, rather than swimming around in this
cold, murky water by myself.
As I waded ashore, I noticed a bunch of guys sitting on the concrete wall
directly above our spot, all chuckling among themselves and peering down toward
Jonika. I still couldn’t see her but supposed, from the way those guys were
gawking, that she was lying there in her bikini. The idea filled me with
excitement, for I was going to be the guy who got to lie down next to her, while
those others could only watch.
Only when the people in front of her moved did I see just why she was receiving
so much attention, and I could scarcely believe my eyes. Jonika was topless!
Women almost never went topless in this city. You might have seen it in Auckland
or other parts of the world, but this was Wellington, and on the rare occasion a
woman was brave enough to go topless in this city she invariably had to put up
with some bunch of guys like those on the wall hanging around her.
So there I was; with the only topless woman on the beach (in the city,
probably), a slight swagger in my gait as I took those last few strides toward
her. Hell, the guys on the wall must have been thinking I was a real stud. Of
course, the irony in this did not escape me. I didn’t even have a girlfriend,
let alone Jonika, who was way out of my class.
She flipped over and asked me to rub some lotion onto her back. I tried to act
casual about it but was so nervous I fumbled the bottle into the sand. Rubbing
it in wasn’t quite so thrilling as I’d imagined, however. She was all sweaty
and the lotion felt greasy between my fingers; sort of dirty. The round curve or
her backside beneath the yellow bikini bottom did more for me, though I
was careful not to look directly at it in case anyone thought me a pervert.
Afterward I asked if she’d mind doing my back. She could hardly have refused,
after all. But that wasn’t as thrilling as I’d imagined either. Her hands
were hard and she rubbed it in fairly quickly, like she just wanted to get it
over with. I’d hoped for more of a slow, vigorous massage.
We lay there on the beach for another hour or so, then sat up to have our picnic
lunch. Jonika fastened on her bikini top, no doubt for modesty, while I pulled
my T-shirt on to avoid sunburn. Afterward I went for another brief dip. Jonika
herself never did go into the water, however.
On the way home she stopped outside this pet store. “Oh, just look at the
little darlings! Aren’t they cute?”
At first I saw only my reflection gazing back at me from the window. But then my
vision adjusted and I was able to see them just inside it; all these fluffy,
bright-eyed kittens darting and tumbling around in a cage.
“I want one a these,” she cooed. “Do ya think Abraham’d mind?”
I had a good chuckle about that. “I doubt Abraham’d mind if you brought an
eight ton African elephant home. In fact, he prob’ly wouldn’t even
notice.”
“Well, I’ve got my degree an’ will soon ‘ave a good job. I think it’s
the right time to get a pet.”
It sounded fine to me. If she was going to be taking a kitten back to
Abraham’s, she couldn’t have been in any big hurry to leave the place. And I
hoped she’d stay for years; just for the company.
Around half an hour later we were walking out of the pet store together with a
tiny tabby kitten crawling around in a cardboard box in Jonika’s arms. It had
taken her that long to make up her mind which one she wanted – or rather,
which ones she was going to have to leave behind.
As we walked along she wanted to play with it and lifted it out of the box now
and then. It ended up on me at one point and almost fell off my shoulder, except
that it managed to save itself by sticking its sharp little claws into my flesh.
Jonika doubled up with laughter about that, and I wondered in a moment of
bitterness how amusing she would have found it if the little demon had stuck its
dagger-like claws into her.
So I put on some better clothes and followed them out the door. It was a warm
night, and they were all dolled-up, so that I felt quite inadequate in my light
sweatshirt and jeans. At the bus stop they lit cigarettes and talked about
movies while we waited. It was clear the movies were a very important part of
their lives.
When the bus came Veronica and Melissa took the front seat on the left, Maureen
and Jonika the one adjacent, facing the aisle, leaving me the choice of sitting
on the other side of the bus or behind them. If we’d all gone down the back, I
observed, we could have sat together. But, what the hell, they were only talking
about movies anyway.
It was into a long, eerily quiet street in the middle of the city that we
stepped down from the bus. No shops nor pubs, only office blocks. That accounted
for the absence of people. It was, nonetheless, with a strange sense of
abandonment that I followed, across the empty road and down a narrow alley.
Soon enough we found ourselves on the teeming sidewalks of the city centre,
surrounded by noise and traffic.
“Come on,” Jonika called over her shoulder as they clacked along ahead of
me.
I was lagging behind a little, fearful that if I walked among them her friends
would suspect me of showing off; ‘the dude with his harem,’ or something
like that. But now I hastened to catch up.
“That’s better,” she admonished me. “We’ll need you to keep the creeps
at bay.”
I chuckled sheepishly, flattered by the idea and mindful of the irony. There I
was, supposing I was the one they didn’t want around. As we continued along, I
saw no sign of any creeps, however. and much to my own disappointment, for I
would have relished the opportunity to come to Jonika’s rescue.
Last time I’d come to this cinema, as a teenager a decade before, the queue
had extended halfway down the street. The movie that night had been ‘Friday
the 13th.’ But there wasn’t much of a queue outside the cinema this time. A
film about a cancer patient’s mother was hardly likely to be a box office
smash after all.
As we bought our tickets I glanced over at the kiosk and had a sudden
brainstorm. Here was my opportunity to get on better terms with Jonika’s
friends.
All but Jonika herself frowned back at me when I approached them with five
snow-freezes in my hands – each with its own chocolate flake sticking out the
side. With a light giggle Jonika accepted hers, and Maureen followed. But when
it became apparent Veronica and Melissa were not going to take theirs, Maureen
gave hers back.
“What’s the matter?” I asked. “Don’t ya like ice-cream?”
“It’s fattening,” she replied, with a groper-like rolling of the eyes.
“I’m sposed to be on a diet.”
I turned an appealing gaze upon the remaining two, who merely shook their heads,
unwilling to communicate verbally with me, evidently, even as I offered them
these ice-creams.
“Okay!” I chuckled. “I’ll eat all four. You watch!”
So it was that with my hands full of snow-freezes I accompanied them into the
cinema and down the dark aisle. I felt a bit foolish, for sure, and some of the
people already in there tittered as I passed them by. Then behind me I
distinctly heard one of the girls - Veronica, I fancied - mutter to the others,
“God, he’s like a child!’
The ushers were both at work elsewhere, as we saw by the their torch lights, and
in the darkness we were unable to locate our seats. The best we could manage was
to find four together in the row we were supposed to be in, but not in the right
place. Somebody was going to miss out, and I decided it wasn’t going to be me.
They all stopped and glanced at each other when I sat down, their profiles
silhouetted by the screen - at that time showing still-frame confectionary
advertisements. It was clear they weren’t happy.
Veronica pointed at the row behind us. “Look, thuz four seats there,” she
said.
And with that they made their way out of the row we were in and occupied the
four places she had found. This I could only observe with a mixture of disbelief
and humiliation. So I was going to be watching the film on my own! And neither
was my mood lightened any by the sound of that familiar giggle above me.
“You alright down there?” Jonika inquired. “I mean, ya don’t mind, do
ya?”
“Course not,” I said flatly, almost brusquely, and she giggled again.
In fact, she must have felt sorry for me or something, because a few minutes
later she came back down and sat beside me. That was nice of her, and I started
to feel a little better about the whole thing - even though she did go back to
the row behind us midway through the movie. She, at least, was a decent sort;
one of those rare creatures with a genuine heart. But ‘creatures’ wasn’t
the right word to use, because of all the creatures in the world, a genuine
heart was rare only among our own.
So she was moving out, after just a couple of months. I had to turn away to hide
my disappointment. Of course, I should have seen it coming. Why would someone
like Jonika want to stick around with a sap like me? It had always been too good
to last.
“It’s two bedrooms,” she went on. “We’re converting the sunroom into a
bedroom for me. It’ll be just like my own studio, with big windows overlooking
the harbour. I’ll save on bus fares. An’ it’ll be our place. We’ll be
able to have friends over, host parties an’ go for midnight swims!” She
laughed gaily.
I couldn’t even pretend to be happy for her. And there was something else:
Pets were not allowed. Jonika tried very hard to persuade Abraham to keep her
kitten but he was surprisingly firm in declining. No one should take a pet that
they didn’t have time to care for, he said. So Jonika tried to talk me into
it, and I understood then that, nice as she’d always been to me, she took me
for a sap.
Jonika must have hoped either Abraham or I would develop some attachment to the
kitten and change our minds, because she left it with us regardless; albeit with
the promise to come and collect it within a week or two and return it to the pet
store. This, naturally, did not occur. I could see Abraham was a little upset
about it too, since it managed to damage something or another almost every day,
and it still used the carpet as a toilet more often than its kitty litter. It
was a constant attention-seeker, and there we were, all of us, trying to rid
ourselves of the responsibility of looking after it.
Somehow it made me profoundly sad, this forlorn creature that everyone had
rejected. Thus it was with a vague sense of heroism that I took it back to the
pet store myself.
by Tom Sheehan
My father’s name was
Ivan Stille. He was a writer of sorts, and once had been a Marine. The writing
bit began in his late years. He had retired early; what had obviously built up
in him for most of his life (us included) had somehow gathered into form and was
finding a way out of the sepulcher he had devised over those years to hold his
material. I don’t know how many times I had heard him say to my mother, in
those explosive years after he had found the computer, “Hey, Alice, you ought
to read this piece I just finished.” He’d say it once, you
could count on that, and then you could picture him waiting for the minute or so
of silence. You’d hear the promise of exasperation from my mother,
“There’s plenty of time, Ivan. I’ve things to do now. I’ll get to it bye
and bye.” There was sewing to be done, cooking, the work on her afghan for the
Ladies Society. She didn’t have a lazy bone in her body. But then, in that small
aftermath, a chair would creak, he’d swing it back in place in front of the
computer, push a key, start again. That happened a lot of times those days. I
can hear the weak echo of her words; I can hear the creak of his chair. All that
day, all those days, he would not say another word, at least not vocally. It was
the routine for most of the recent years. And there were so many mornings,
before me and Teddy and Gus, and Janny last, had moved out of the house, that
Ivan Stille, the late bloomer, the early riser, would be at the computer at
three o’clock in the morning. I’d come home for a
quick visit from clear across the country. He’d beg me to make a CD of his
material. It was, for me of course, a piece of cake. I did it in seconds. I did
it every time I came home, which was at least three or four times a year. I
never read what he had written. I was a technocrat, a new generation guy who
loved the computer in my own way. It was not the memorial way of years that my
father was carrying on with. Teddy was a salesman
and was damn good at his work. He came by every month or so, would stay for a
few days in the old bedroom, do a few odd errands or maintenance chores, paint a
hallway or wallpaper or hang some curtains, and move on. He was making lots of
money and kept at it. Gus, driving his special bus for a big-time sports
personality, rarely ever came home. Not even at Christmas. When he did drop by,
there’d be a crowd of people gathering because they all recognized the
big-time coach’s bus, and Gus was able, in his own way, to get a few perks
worked off for his folks. Janny had four kids of her own and tried, really
tried, but it was tough to get home from Oregon where her husband Charlie, after
years in the Navy, settled down. It was too expensive. But, as it happened,
none of us were readers. And we had all heard, growing up, some of the old
gent’s stories, Ivan Stille Stuff as we and some neighbors had come to call
it, the pleasant parts of some late evenings on the porch or in the kitchen
hunched over a few pops of coke or beer. It was old hat to us. And it was a
shame that we had not listened more closely. But isn’t that what we learn in
life, and usually when it’s too damn late. So the day came, and
the day was announced with a thunderstorm and me in a plane and the captain
sounding nervous. I promised I’d get home before the day was gone to say
hello. The promise stuck. I came around the corner late at night in a rental car
and saw the flashing lights of an ambulance and the companion fire truck. It was
Ivan’s heart. He didn’t make a big race out of it. Just took himself into a
final silence, and was gone. All of us were there
the next day, Janny coming last and Gus picking her up at the airport. My mother
made only one demand when we came back from the cemetery. “Now, while I have
the help, get all of his clothes out of here and gone to Goodwill or the
homeless of one sort or another. I don’t care where they go as long as someone
can get use from them.” She added, as a small token of explanation, “It’s
what he’d really want.” We did all that in
short order, did it in green bags and dumped them in a collection point.
Useless, worn clothes and all kinds of underwear and socks by the dozens we
threw out in the trash. Mom pushed us. “I don’t have the hands I used to
have. Nor the legs. It has to go now. Give those old coats and those jackets to
the homeless. Every last one of them. Those old hats of his and baseball caps by
the absolute dozens. His winter boots and fishing boots and his fishing poles.
Give them to Harry next door. Give Harry his tools too if you don’t want them.
I’ll never use them.” She was practical, and realistic, down to the last
handkerchief in one of his drawers, the last pair of pliers on a shelf. That full day we moved
as a team. The house, I’m afraid to say, started to grow again. Rooms leaped
in size. Corners gleamed a gleam they had not shown in years. The cellar and
garage grew themselves two or three times over. Space seemed to triple up in an
hour’s time. It was a kind of new-birth glory. It happened all the more every
time a corner came back from where it had been hidden for years, and a one-time
crawl space came exposed and a section of the garage she had never been in
showed itself off. Then, after all that
acute labor had been expended on the house, to free up what one might call the
debris of a lifetime, there remained only the small room he called the study. It
was where his third generation computer rode the edge of his desk, the one I had
bought him and shipped home from one of my trips. His first computer was stuffed
under a supply desk in a corner, its innards frozen for all time. The second
one, one that I had worked on a few times and glimpsed but a few lines of his
work, also went astray the day he got the latest one I sent, the one with the
narrow console he thought was the next wonder of the ages. He had leaped at that
one. I had made him CDs for of all his stuff. He told me he wanted a title
printed on it. “Ivan Stille’s Stuff Most Memorable.” I had softly smiled
to myself, loving his ideas, but not listening really… I was a CD maker, cut
and dried! A tool merely. I knew my place in all of it. In one corner of the
room, in a closet, on packed shelves, stacks of papers had gathered and grown
over the years. He must have spent all pre-computer days doodling on those
papers. Mom said, “What about
all this stuff?” She looked at me for the answer. I said, “He said it
was all on the CDs I made. He had me transfer everything. There’d been a whole
bunch of files. A whole bunch. I don’t know how long it took him to do it all,
but it’s all on the CDs.” I smiled, “We had about a dozen CDs. I made one
of his whole system every time I came home. So much repetition, duplication, but
he didn’t want to miss a word.” The judgment was quick.
“Get some bags, boxes, anything,” she said. “Move it all. We can decode,
decipher, read the CDs some other time.” We swung into action.
The room leaped into life. Walls loomed in clear patches where piles of paper
had hidden them for years. Teddy promised to paint and wallpaper his next trip.
We moved a history of a man into bags and boxes and into barrels. We rushed. Mom
kept looking at her watch. “It’s trash day. It can all go now if we
hurry.” It was near three o’clock in the afternoon, destiny calling. It was done. Outside
the gears of the trash truck groaned in concert with weights. The grinding mill
of its hydraulic gears swung the overhead crusher into the life-spill of papers.
A piece of 8 1/2x11 paper flew on the quick breeze and landed in Harry’s yard.
He had been watching his friend being moved out. He picked up the piece of
paper, looked at it, shrugged his shoulders and put it into his empty barrel.
Toward the back of his house he walked, toting the barrel in one hand. While the others were
outside, watching the truck move away, I plugged the first CD in. There was one
message. I have nothing memorable. The CD was empty. The same message came up on
each of the twelve CDs. I have nothing memorable. I was shocked. Turning, I
looked at the other computers. The emptiness fell down through me. The weight of
years and piles of paper and powerful gears and awesome forces pushed down
through my whole body. Oh, this awful retribution, this reprisal. I knew. Oh, I knew. If
I mentioned it to my mother she’d raise a hand and say, “Today’s not the
day. Time for that later, in the bye and bye.” I heard the echoes. I
heard the chair squeak, the key being punched. I didn’t say a word. There’d
be time for that later on. It was four or five
months later. I was heading out of Waylom Village deep in the tip of Michigan. I
was passing a gasoline or oil truck with a flat tire. A small service truck was
parked behind the big truck. Sun glinted on the bumpers. Two men were talking.
The sun was also descending a hillside, tossing shadows aside. I could smell,
not oil or gasoline, but honeysuckle or new cut grass or the edge of a barn’s
existence, a birthing of one kind or another. Perhaps it was promise itself. A
flock of birds was a small cloud against the sun, but only for a second. The
radio was on and the man I occasionally listen to when I am in this part of the
country was talking: I swear I never heard
his name before, but I know all of you will hear of it someday. I found these
pieces in a new, small magazine. Some of the finest, grandest writing I have
ever seen. We have to get this man here. We have to listen to what he says. It
is most remarkable. It is brilliance itself. These three pieces are all I have.
I hope I can get more. I hope I can get all of it, these things he called My
Memorable Stuff by Ivan Stille. Does anybody out there know him? Call me at this
number….
'll
have to tell the story because I am the one most at fault here. I should have
known better, I’m the new generation type. Even on the way home from the
cemetery, going back to the house with my mother, my two younger brothers and my
sister, it was me who should have known better. Lots of things should have
tipped me off; instead of bigger, having more room with a body gone from it, the
house was smaller. It felt smaller, it smelled smaller, the corners were
tighter, and the air was cooler. I swore, after spending my first twenty-two
years in it, it did not have its hand out for me.
by Frederick Sievert
1
ne
Monday morning, while sitting in my office finishing my coffee and going over
the schedule for the week, I noticed there was an entry in my calendar for the
next day that simply read, “Lunch with the President.” Wondering why my
assistant hadn’t listed the name of the associated company, and slightly
perplexed at having no memory of an appointment with any corporate presidents, I
called her in and asked her to follow up. In a few short minutes, our public
relations officer was in my office, looking flustered and apologizing profusely
for not notifying me about this meeting ahead of time. She sat me down and
informed me that I was to attend a lunch with former President of the United
States, Gerald Ford. You could have knocked me over with a feather.
As it turned out, New York Life was the sole sponsor of the PBS television
series The Presidents, and as a result, I was going to have the honor of
meeting several of the then-living Presidents of the United States. Well, I was
excited by this opportunity and looked forward to it with great anticipation. I
wondered if I might even get the opportunity to speak with the President. As
vice chairman, I was third in command at New York Life, but assumed this would
be a relatively large group (perhaps fifty or sixty top officers and guests),
and that I wouldn’t be placed at the President’s table. Certainly our
chairman and our CEO would be seated with the President, and I would be
entertaining a table of other visitors in the President’s entourage. In any
event, I wanted to be prepared, so I spent a few hours that evening researching
the key events of Ford’s presidency.
On the Tuesday in question, about an hour before the luncheon, the public
relations officer reappeared at my door to let me know that I would be hosting
the luncheon because the chairman and CEO were both out of the office, and that
it would now be an intimate group of five. Attending would be President Ford,
Hugh Sidey (a presidential historian), and three of us from New York Life: the
human resources officer, the public relations officer, and me.
Needless to say, I panicked, realizing I would now be expected to make opening
remarks and then carry the conversation. I thought through a few possible
questions garnered from my research the prior evening, and called two of my
direct reports at New York Life, who were great conversationalists and
well-versed on recent history, to ask for help. I then framed some opening
remarks welcoming the President, providing some background on New York Life and
its involvement in the PBS production and expressing our gratitude for the honor
of his visit. One of the many questions I thought to ask related to my
earlier interest in the Kennedy assassination. For several years, I had read
everything I could get my hands on relating to the assassination, including much
of the encyclopedic twenty-six-volume report of the Warren Commission. In Volume
Five of that report was the transcript of a meeting that took place with Jack
Ruby in his Dallas prison cell that was attended by President Ford, who was then
a U.S. Congressman and a member of the Warren Commission, and Lee Rankin, the
Commission’s general counsel.
In the transcript, Ruby indicated that he knew much more than he was
revealing about the assassination, but insisted that he didn’t feel safe in
Dallas and asked to be taken to Washington, where he promised to reveal much
more. Unfortunately, and inexplicably, given the vast resources of the federal
government, they did not take Ruby to Washington, and instead left him in the
Dallas prison where he would die of cancer a few months later.
I was excited to have an opportunity to ask President Ford why he didn’t
have Ruby transported to Washington. Following the assassination, there was much
conjecture about Ruby’s association with the mob and his possible prior
relationship with Lee Harvey Oswald. Many thought the killing of Oswald was far
more than the crazed act of a bereaved citizen seeking revenge for the
President’s assassination. And there were some journalists and authors who
felt that the Warren Commission wanted to rush the judgment against Oswald as
the sole assassin, preferring not to hear any evidence to the contrary. To be in
a position to ask this question of a key governmental player in the
post-assassination drama, one who had actually interviewed Ruby face-to-face,
was a Kennedy assassination buff’s dream, and I was ready and eager to pose
the question at the first opportune moment.
The luncheon, to my pleasure, went extremely well. I made my planned
opening remarks without the use of notes and relatively smoothly. Throughout the
two-hour luncheon, President Ford was extremely gracious and congenial. He spoke
freely about his years in the White House, about his family, and about Betty
Ford’s formation of the alcohol treatment center. The time passed quickly for
all five of us in the room as we found ourselves hearing the inside story of the
presidency from a man who was once in the most powerful role on the world stage.
During the whole luncheon, I was looking for an opportunity to jump in
with my burning question of the day, but when I thought I’d found just the
right time to jump in, historian Hugh Sidey preempted me by asking the
following: “Mr. President, as the only surviving member of the Warren
Commission, what are your thoughts now about the single-bullet theory?”
For those of us familiar with the assassination, this was a very
compelling case that was supported by the audio and video evidence of the event.
The timing of the shots suggested either that there was more than one assassin
or that a single bullet did remarkable damage to both President Kennedy and
Governor Connelly, and was the bullet later found in pristine condition on the
Governor’s stretcher.
Prior to this question, the President was quite relaxed, and had been leaning
back in his chair conversing as if he were chatting with friends at a country
club. But upon hearing this question, he became animated and agitated. He leaned
forward, looked glaringly into Mr. Sidey’s eyes, and surprised all of us as he
punctuated his words by pounding his fist on the table three times while he
said, “That Oswald was a lunatic, he did it alone, and I never saw any
evidence to the contrary!”
After observing his reaction to the single-bullet theory question, and out
of respect for the office of the presidency and for perhaps the most honored
guest ever to visit New York Life, I realized immediately that I could not pose
my probing question about the Jack Ruby jail cell interview. I had missed my
opportunity, but I must say, I don’t regret my decision to move on to less
controversial matters.
The discussion returned easily to a more congenial tone for another twenty-five
to thirty minutes. During the final minutes of the luncheon, I never once
reconsidered raising the question about Ruby, but it did occur to me that
President Ford’s term on the Warren Commission was a source of some stress for
him, and I surmised that he had often been asked questions about his role on the
Commission and about his true personal feelings about its published conclusions.
Perhaps even then, more than thirty years after the assassination, he felt
obligated to fully support the Warren Commission’s conclusions irrespective of
his own possible personal doubts.
None of us wanted this delightful experience to end, and we were astonished when
the President looked at his watch and apologized for keeping us so long. He
thanked us for the delicious meal and for our hospitality, and I made some brief
closing remarks, thanking the president for joining us and for providing us with
some fascinating insights into the life and challenges of the presidency. It was
my first encounter with a U.S. president, and I surprised myself by how
comfortable I felt in his presence.
When President Ford died some years later, it occurred to me that he went to his
grave with very few people being aware of the interview with Jack Ruby in Volume
Five of the Warren Commission report; fewer still would have had the opportunity
to ask him about it. I still wonder, but will never know, how he would have
answered my million-dollar question.

The Outlaws

by Barnali Saha
Conclusion
rang the bell, there was no answer. I rang it again, the dog barked this time,
but no one opened the door. I moved the door-knob and the door opened. The dog
snared at me, and baring its teeth in the most violent manner began to growl. I
did not care; I was once a volunteer for the local humane society and have
handled those aggressive fellows before. The thing one has to remember during
aggressive encounters with quadrupeds is to not run away and provoke the beast.
One has to learn not to dread the bare fangs of the animal. You need to keep the
upper hand in such circumstances; I mean to say, the key to survival in such
situations would be to show the beast that you are not scared of it. The action,
however, does require a certain amount of tact, which I, thankfully, possessed.
I walked in to a house which was very much like my own. Showing complete
disregard to the growling animal, I went to the living room and shouted,
"Mr. Eisenbart, this is Kathy Heinz; I need to speak to you. Mr. Eisenbart,
Debra. Hello!" There was no answer. I looked around me: piles of unopened
cardboard boxes, empty soda bottles, pizza boxes and paper plates lay astray; a
heap of unlaundered, smelly clothes sat on the leather couch, the only furniture
that stood in the room. On a stand at a corner stood a keyboard, and next to it,
on the ground, lay an electric guitar, a bass guitar, a couple of drums, a boom
box and four microphones and their stands. Posters of Led Zeppelin and Deep
Purple adorned the sidewalls. I felt disgusted. I shouted once more. The dog
walked in snarling and growling more violently than before. It evidently took me
as a threat to its family and had vouched to drive me out. Its burning eyes
froze my blood. "Shoo, shoo" I said. It barked once more and began
walking towards me. I sensed danger in the air. Chanting pleasantries to the
beast, I slowly began walking out of the room. It followed me. I walked in short
back steps to the half-opened egress. The animal gave me a surprised, almost
bewildered look as if it had not expected me to find the right exit. I stepped
out, softly, still chanting pleasantries to the flabbergasted animal. It
seemed a bit softened now because he did not protest anymore, on the contrary,
began wagging its tail. I did not wish to entertain the animal any longer. I
shut the door and began to walk in the direction of a safe haven recently
rendered unsafe on account of a series of unforeseen mishaps. I walked in
the direction of my house.
The whole day I stationed myself at the window of my room looking intently for a
sign of the Eisenbart bunch; there sadly, weren’t any. Not a strip of their
spiked hair was seen. Dejected, around noon I decided to leave the window and
think of a clever plan to teach the weirdoes a lesson, or, perhaps, a way to
drive them out of the neighborhood. But first I needed a healthy lunch. I cooked
'Oeufs en Croustades a la Hollandaise' — a perfect fodder for my old brain
before putting the thinking cap on.
After lunch I seated myself in the study to try and sort out my options. I had a
number of choices: I could inform the management; but that won't do me any good
since the bulk population of our county (including Mr. Thompson, the property
manager) was deaf in the ears, noises never affected them. Still, that was a
valid option. I could call the police too; I was sure that they would heed my
plea for help because they rarely had an opportunity to use their cop-powers on
account of Jackson County being a perfect county with almost no criminal
history. And finally, there was this drastic option; I could set the
Eisenbart house on fire.
With the ball on my court, I was completely at ease. Around four in the
afternoon, I went out for a little stroll in the park. It was a holy hour for me
since at this time, almost everyday, my usual neighbors, the lords and the
ladies of the area, went out for a healthy walk in the park. It was the best
time to catch them and whine a little about the big, bad Eisenbart bunch. They
might show me some compassion if they manage to understand what I said. You see,
since the majority of my neighbors, the men mostly, were war heroes who lost
their hearing in some great war, they boasted about the flaw instead of
regretting it. It was a beloved scar that they fondly treasured, and if you
asked them why they did not do anything for their ears, they would go on and on
and on with their war stories and would eventually bore you to death. They
seldom wore their hearing aids because they had a special way of communicating
with their other deaf and semi-deaf mates and rarely needed any hearing aid to
do the job. Their wives, whose once perfect hearing abilities were too partially
impaired by the intensely high volume of the television sets and their daily
dealings with their deaf husbands, also seldom needed to put hearing aids on to
decipher their jargon. I was among the very few hearing persons in the
neighborhood. That was an important reason why they regarded me with such great
respect. Overtime, I had learned to skillfully interact with them: the trick is
to shout and speak every word distinctly. I helped them in their communication
with the outer world, at the post-office, or when they needed to hear a radio
broadcast, and other things of that sort. You may understand at this point that
I was an important part of my community, and any problem of mine was ought to be
regarded as the problem of the community.
I put on my running shoes and hopped out of my apartment. I cast a look at the
Eisenbart dwelling; there still weren’t any sign of them. At the park I met
Mr. Wesley sitting on the bench licking an orange pop. Mr. Wesley was a kind,
hearing, happy gentleman, blue eyed and bald and always keen on listening to the
newest gossip of the community. Seeing me, he showed his leftover teeth and an
orange tongue. "Hello there," he said cheerfully. "What's
up?" Mr. Wesley was not one of my targeted audiences since he was given to
slandering, but every little bit helps, and since I needed so badly a shoulder
to cry on, even this orange-tongued Wesley seemed like an angel to me. I sat
beside him like an exhausted, overburdened donkey. Because of the excessive
summer heat the park was not as full as it usually was at that hour. I saw
handful of old lads and ladies jogging at a distance. Adjacent to the bench,
under a huge tree, the laughing club was in session and a group of old gentlemen
and ladies like a bunch of Santa Clauses were laughing in an animated chorus.
They paid me no attention and went on with their laughing. Finding no other
option at hand, I began to sing my tale of distress to Mr. Wesley. The old bloke
rolled his eyes as he listened, frequently chanting words like, "Oh,
no" "Good Lord!" and so forth to display his sense of surprise.
When I finished my sad tale, he got up, as if he remembered something and
wishing me a hurried goodbye almost ran out of the park. I sat on the bench for
a short while and watched the laughing goons. At the moment it seemed that they
were all laughing at me, at my hopeless condition, at my inadequacy of valid
options to teach the Eisenbarts a lesson, and, ultimately, at my worthless life
in a deaf community. I felt sad, and got up to leave the park.
I came back home and spent an hour rallying my thoughts. It occurred to me,
rather unexpectedly, that may be the Outlaws had left their house. Despite that
being a remote possibility since their belongings and their dog were still at
home, yet, somehow, that thought came as a much needed respite for my
overwrought mind. I debated with my previously contemplated options and decided
to wait one more night before taking any drastic measures like calling the
police or enflaming the house. Around seven in the evening I had my
dinner, and having nothing else to do watched television for an hour or
something and then, around eight thirty, went to bed. I peeped out of my bedroom
window to have a last look at the Eisenbart residence and finding the house
still seeped in darkness, went to bed in peace.
An earsplitting explosion woke me up. A catenation of eccentric noises like the
crash of a thousand cars, like the explosion of a million volcanoes, like the
denotation of a zillion war-bombs rocked the entire world around me in the most
violent manner. The metallic ectophony threw me out of my bed. The edacious
noises began to consume me like a tidal wave. Stupefied, shell-shocked, I cried
for help in an eroded dsypneal voice. No one came. The bang of the drums, the
clang of the electric and bass guitars, the boom of the surround sound system,
and the horrendous, cacodemonic voices of four creatures from hell together with
numerous strident cries of applaud roared from wall to wall of my room. Burning
with anger and calling the Outlaws all the names I had knowledge of, I walked
out of the room and picked up the telephone to dial 911. The operator could not
hear what I said, and I could not hear what she said either. I banged the
receiver then picked it up again to call Mr. Stone. Mr. Stone lived a few houses
away, he was a police officer. I dialed his number, but nobody picked up. Mad
with rage, and almost at the point of tearing away my hair with vexation, I
decided to go to the Eisenbart home, immediately. I stormed out of the house in
my nightgown and walked in audacious, vehement steps toward the Outlaw home. The
deafening noises rolled and gathered violent strength, the metallic crashes were
more agonizing, but I did not stop. The noises did not bother me anymore. For a
moment I thought I was as deaf as the other neighbors. Hissing a series of
maledictions under my breath, I marched on.
The door was unlocked as it had been in the morning and the ghastly beast
wasn’t around. I rallied in, screaming," In the name of Mercy, stop this
thing you are doing." They did not hear me. Fulminating anathemas I
approached the living room. A newer and more brutal shock awaited me. The
previously half-empty living room now resembled a concert hall which held a loud
and noisy crowd of almost one hundred people. The men and women reveling inside
were people I know: they were my neighbors! They were the same old, edentulous,
deaf and half-deaf bunch that lived in the neighborhood. The noises that were
driving me crazy no doubt came to them as soothing notes, and they seemed to
enjoy whatever reached their impaired ears. There was everybody. I saw Mr.
Stone, the police officer, clapping like a hysteric. He wasn’t deaf, yet he
too seemed to like the frenzied sounds very much. No doubt I did not find him at
home. He was too busy merrymaking with the Eisenbarts to care for his cop-duty.
Imagine my shock, no, no, my consternation when I saw those toothless fellows
dressed in gory, ornate outfits cupping their ears with their palms for better
hearing and nodding their antediluvian heads to the hellish notes of the jumping
Outlaws! Imagine my flabbergastation when I saw the old blighters who should be
thinking about the afterlife dancing with their ladies to the outrageous,
energumenical tunes, explosive and unharmonious notes of the Outlaws! The room
looked like a wild undergrad party with the Eisenbart bunch skipping like four
big, fat frogs in their leathery outfits and spiked hairdos cupping their
microphones and singing riotously. Mr. Esienbart holding the microphone and
violently shouting indecipherable words into it seemed like a sweaty Halloween
pumpkin badly curved. The electric guitar— that accursed musical instrument,
hang from his neck, and he was occasionally putting the microphone on its stand
to strum the devilish device. The passion on his face and his body gestures—
the rolling of hips, the swaying, the moving of his hands, almost made him look
like Led Zepplin's specter. And the other three, God! They seemed, this time I
was sure, creatures from another planet. You should have looked at the twins,
the way they somersaulted and banged on the drums, wildly. Their sticky red
faces burning with musical passion and what not. And Debra— I could never
forget the bass guitar she played and the way she danced and sang. All together,
her eccentric activities not only made her look like an otherworldly creature,
but also like an otherworldly creature that had lost its head completely and
needed an immediate visit to the sanitarium. Standing on the makeshift stage --
an upside down plastic box, with her heavily mascaraed eyes, her over-blushed
cheeks, her painted black lips, she was a drag queen, an apparition of the
ugliest human being. I was so terrified of her scary face that I almost fainted
in fear.
Such was my shock; such was my astonishment that I almost forgot why I had come
in the first place to that house. I think I stood flabbergasted at the living
room entrance for almost an hour, but they did not notice me. On regaining my
composure, I thought the safest and the sanest option for me at that point was
to take immediate egress and not stand any longer. As I was preparing to leave
the place, the Eisenbart twins caught a glance of me. They looked a little
bewildered at first and tapped their father on his thigh; he, however, was in
seventh heaven, so he did not heed them. Then they looked at each other and
shrugged. Then, suddenly, their faces lit up in a most mischievous manner and
they turned towards me still standing next to living room door and stuck out
their tongues like a couple of ill-behaved monkeys. Almost at the same time the
dog, yes, that animal from hell materialized from somewhere and began snarling.
Terrified, I jumped. The boys began to giggle; their red faces mocked me in the
most inhumane manner. The animal began growling, aggressively. Its bare teeth
and reproachful eyes were directed at me. I needed to escape, somehow. I began
to run. I began to run faster than the fastest runner in this world. The dog
chased me, but before it could catch me, I had reached my home and locked the
door.
The dreadful music continued to ring in the background. I made up mind. I began
packing my luggage and with the approach of the first light of dawn, I
left the house never to return again to that outlawed community ever again in my
life.
Sleep Anywhere
Eleanor-Leonne Bennett
Bug Eyes
Eleanor-Leonne Bennett
Grime
Eleanor-Leonne Bennett
Untitled
Eleanor-Leonne Bennett
Fiddler on the Roof in Wood at Kazimierz Dolny Market Square
Elinore Brown
Flowers for Sale in the Rain
Elinore Brown
Polish Capitalism
Elinore Brown

|
Old Synagogue in Tycochin |
|
Elinore Brown |

|
Cruising the Vistula River |
|
Elinore Brown |
Below (5): Untitled
Nathan Combs

|
Curiosity |
|
Kristina Haney |

|
Into the Eyes |
|
Kristina Haney |

|
Earn Your Stripes |
|
Kristina Haney |

|
The Alien In Me Has Landed |
|
Robert Haworth |

|
Stuck In Time |
|
Robert Haworth |

|
The Streets |
|
Robert Haworth |

|
Splendor in Yellow |
|
Iolanda Scripca |

|
Painting or Picture? |
|
Iolanda Scripca |

|
Life Goes On and On and On... |
|
Iolanda Scripca |

|
Hotel Ashuelot |
|
Pat St. Pierre |

|
Bouquet of Orange |
|
Pat St. Pierre |
80 MPH Indiana
Jennifer L. Tomaloff
Cabin in the Woods
Jennifer L. Tomaloff
Diner
Jennifer L. Tomaloff
Wide Open
Jennifer L. Tomaloff
The King's Cock
by William Gladys
royal story of imagination and moral legitimacy.
The
origin of the story that I am about to relate to you came from a person who was
employed at one of Britain’s Royal Establishments for a number of years.
This
person, and as it transpired eventual very close friend, was the recently
deceased Birdie; not his real name. I recall when he first
told me about a distasteful and undemocratic employment contract he had
to sign which ensured that any outrageous sexual, financial and behavioral
shenanigans his royal employers got up to, would remain securely locked and
protected from public scrutiny until decades after their deaths. For him,
signing the document was a rejection of his own beliefs, ‘an act of personal
as well as public betrayal and a mute denunciation of genuine democracy.
I had to protect this bunch of hollow scoundrels who pocketed millions of
pounds of taxpayers’ hard-earned cash each year as they shamefully continued
to lead a life of luxury on never-ending State handouts. On the other hand as I
was married with a wife and child to support and in urgent needs of employment -
jobs were in short supply at the time, - I had little choice but to act the
hypocrite and grudgingly sign
along the dotted line.’
Indeed
as Birdie confirmed to me on a number of occasions; ‘this compulsory signing
raised many questions: why on earth for instance should members of this mentally
inert hereditary privileged dynasty be the subject of so much secrecy and
subterfuge? What credible reason was there for the media and government to
continue with such high-handed protection unless as a means of keeping an
unelected anachronistic dynasty in power in order that they could
continue to bamboozle and unashamedly deceive a gullible population for
evermore’?
For
many years, Birdie and I met on a regular basis at a popular watering hole in
the city of
‘Because
of the king’s habitual stutter’ he explained, ‘he was unceremoniously
referred to by the staff as either G-Gee-Gee or Gibber; not necessarily with
malice I might add, although there were moments of restrained merriment in
reaction to his impediment. Even now years later when I call to mind some of the
comic episodes then I cannot help smiling to myself’, Birdie told me.
In
addition, he continued somewhat providentially as it turned out, ‘in time, the
general public will become more alert to the needlessness of the royals and the
money gobbling, class divisive institution of Monarchy which the general public
in its ignorance unconsciously sustains. Indeed,
with the inevitable damaging disclosures and progressive decline in the
popularity of these disquieting self-serving people, it would not surprise me at
all, if in the years to come a group of fawning monarchist propagandists
undertook to prop
up the royals waning popularity, by writing a play or producing a film that
focused on a monarch’s speech impediment. What
is more, a small but highly influential group of people in
Indeed,
it was because of the unwarranted and enormous attention lavished on a
noticeably inept stuttering King that drove me to visit a number of libraries in
the city for additional information. I was astonished to discover that many
exceptionally gifted people also had speech impediments, Aristotle, Lewis
Carroll, Charles Darwin, Napoleon the 1st. Isaac Newton and Virgil to name a
few.’ Birdie’s emphasis on the words exceptionally
gifted people, effectively spoke volumes about his royal
paymaster’s intellectual ineptitude.
‘It
was beyond belief’ he went on, ‘that no researcher or historian had decided
to investigate the matter further. And yet each personality was a gifted and
commendable member of their own society and deserving of praise and attention,
unlike the regal nonentity who was elevated to his position of power in
I
remember it was on a cold November evening, as the log fire crackled in the
inglenook and we downed further pints of our favorite bitter that he related the
tale of The
King’s Cock.
‘It could be classified as an intriguing, pulsating story of sexual exploits,
deranged dedication and sudden death in the sheltered acres of a stately
abode’ he chuckled.
‘Moreover
the tale of The
King’s Cock was just one of countless other blameworthy incidents I
witnessed, that absurdly had to be kept secret from the tax paying populace,’
he murmured. Moreover, while shaking his head in disbelief, he went on ‘but in
one sense I have overcome my disgust and hypocrisy and the illogicality of
decades of enforced silence, by jotting down crucial revelations in my copious
collection of notebooks. As you know, I have left all twenty copies to you in my
will, on the principled understanding that you release the facts into the public
domain after my death. Regretfully however, it is a foregone conclusion that the
media in this country closeted up the back end of the royals, will lack the
courage to publish them. If, as I anticipate the Establishment in this pseudo
democratic country of
I
assure you’ he went on, ‘that there will be incensed and unrelenting
pressure from the royals and their army of tedious toadies in the media and
government, anxious to suppress
the details. Blackmail will take many forms; chequebook threats, a pledge of
action in the courts and so on. What is more they will seek by all means to stop
publication, but I know that whatever obstacles are put in your way’ he
finished rather dramatically, ‘you will follow the courage of your convictions
and determine to win through for the ultimate democratic benefit of the
people’.
After
a minute or two of silence as we sipped our beers, he went on. ‘It was a
couple of years earlier that Gibber developed an impulsive obsession for a
particular breed of fowl: The Rhode Island Red – Gallus
Gallus Domesticus.
Where
this ardor came from no one knew for sure; but it is thought to have originated
from his early childhood when holidaying on the royal estate at
At
the time of ordering the fowls, Meadows stipulated on behalf of the king that
they should be at least twenty weeks old; this increased the likelihood that
each hatchling prior to delivery had reached sexual maturity.
In
no time at all, or so it seemed to me’ he continued, ‘a consignment of
nails, wire netting, timber, and a handsome Western Red
cedar coop, along with vital accoutrements arrived for the attention of
Meadows. Within a week, everything had been prepared for the arrival of a
swaggering cock and his four recipient hens. A few days later in the midst of
much expectancy, an excitable king with a suitably deferential Meadows at his
side, took delivery of four Rhode Island Red hens and one proud upstanding Rhode
Island Red cock.
Some
time before the arrival of the cock, Meadows and the king had discussed the
possibility of objectionable noise that an early morning rooster could bring to
its immediate environment. Oddly enough as it happened, the king’s unease
regarding excessive noise was unwarranted.
The
next day after the sun had risen; the worrying and anticipated clamor from a
lusty young cock failed to materialize. It was with dread and foreboding’,
Birdie told me, ‘that Meadows and a tremulous king softly made their way to
the pen, half expecting to see a lifeless cock lying prostrate before them. But
when they reached the outside of the enclosure’, Birdie commented as he took
another swig of beer from his glass. ‘The cock was standing with head erect;
but not emitting an innate loud cock-a doodle-doo, as would be expected, but an
embarrassing tentative croak – a throaty stutter that produced a most
unnatural Cer,Cer,Cer,Ceroo. The incongruity and irony of the moment so apparent
to Meadows only dawned on the king the next morning after his customary long
regal night’s sleep. It was after the hazy epiphany that the king and his cock
developed a natural
harmony. Undeniably, it was this awareness, which caused him to sit for hours,
fascinated by his cock, as it scratched and strutted, and trod the hens in a
frenzy of mating. To cynical royal onlookers the vigorous action of G-Gee-Gees
cock was a bizarre indicator of the king’s own well-recorded corporal
inadequacies and unfulfilled desires.
Coinciding
with Gibbers newest craze - he had indulged in many others in the past - was a
mania for food with eggs as the major constituent. Accordingly, multiplicities
of egg dishes were soon appearing before the king on the rich mahogany dining
table. Mundane items as eggs boiled, eggs scrambled, eggs poached and eggs
fried, as well as huge quantities of assorted omelet’s; mushroom, herb, ham,
potato, parsnip, cheese, garlic, parsley, chicken, pheasant, partridge, oyster,
venison, lamb, beef, lobster, crab, caviar and several types of fresh and sea
water fish omelet’s too abundant to
record here. However much to the consternation of the king’s private chef, his
insatiable appetite and craving for egg diversity appeared inexhaustible and was
tedious in the extreme.
To
be sure it became apparent that Gibbers egg crammed food fad could not be
satisfied by a small flock of four
hens; his resolute flunky Meadows therefore had to resort to artifice in order
that the king’s overriding desire for eggs ‘by
royal command’, he winked, ‘could be satisfied’. Moreover, when
as predicted, the royal homegrown egg stock had cruelly diminished, the intrepid
Meadows unbeknown to the king, ventured out in the city streets before the sun
was up on his trusty
‘To
achieve this end, he artfully placed the ‘market’ eggs in the coop with the
king’s cock and hen’s hours before the king rose from his bed, and before
Gibber made
his ritual morning visit and usual roll call; an eccentric but
brief military type of ceremony that only the king’, ‘by royal decree’,
Meadows sniggered, ‘was allowed to perform.’
As
Meadows continued, I found the unraveling story ever more intriguing. ‘It was
two weeks after the king’s upstanding red cock had established his dominant
role within the hen hierarchy’ he continued, ‘that a beautifully constructed
English oak bench and English oak garden bower arrived at the palace. On
specific instructions from the king, Meadows positioned them facing the pen, so
that the king could observe his beloved poultry in fine or inclement weathers,
without unwarranted interference from any of the dozens
of servants detailed to serve him.
Moreover
as Birdie confided in me on that
chilly November evening, ‘the king according to Meadows was
anxious to acquire his very own private breathing space, distanced to
some extent from the wearisome call
of duty stuff as well as the sickly candy floss imminence of his out and out
toffee-nosed and imperious spouse Liz’.
Continuing
in the same vein he remarked, ‘she was a dramatic and narcissistic woman, who
was observed on a number of occasions performing her regal part in front of any mirror
close at hand. Whether waiving that pitifully condescending right hand or
tilting her head at a ‘proper’ angle of spurious obeisance; ending the
whole charade with her well practiced stomach-churning conceited frothy smile
and customary haughty phrase of further deceit: ‘that
is enough to keep the hoi polloi in
my pocket.’
‘Moreover,
this officious vainglorious woman’, he went on, ‘was utterly averse to the
king’s newly acquired leisure pursuit, and let her antipathy be known to
everyone on a number of occasions. It was in response to her bad humor and in a
way a laudable defense of the king that Meadows quickly devised two bold but
rather apt nicknames, Ginny & Gin rummy. Both names were in response to her
early penchant for alcohol, which became a severe problem for everyone, as she
grew older. Ginny because of her over fondness for gin, and appropriately, Gin
rummy a Meadows neologism which integrated her dependency on booze with her
other lavish recreation – gambling. Unsurprisingly, both nicknames stuck, like
lice to a scalp and were soon adopted and habitually used by those who
thoroughly disliked her. She was the frequent subject of discussion’ he said
as he took another pleasurable mouthful of beer.
It
was in this public house atmosphere of sporadic soft murmur and loud noise; like
the ebb and flow of a changing sea, but incongruously mixed with the gathering
smoke from a seemingly incessant sucking and puffing of cigarettes, cigars and
pipes, that Birdie fed me an amusing anecdote.
‘Meadows’,
he said, ‘was generally accepted by those he worked for as suitably
deferential; a person who knew his ‘correct position’ in royal society, and
being physically endowed with a slight but permanent hunch to his
shoulders, was able to effectively
lower his head before any royal he addressed, conveying an innate but false air
of habitual servitude. Beneath his cheerless obsequious demeanor and sharp
facial characteristics, however there smoldered a biting wit. Although clean
shaven, he had a splendid pair of snowy white eyebrows that induced admiration
in all those who confronted him; it implied old age and experience to many
observers, but in reality he was one of natures’ ‘freaks’; born with a
curious oddity. His hair by contrast, was largely black but with an inch wide
stripe of white in the middle running from front to back. This stripe
complimented his white eyebrows as well as his conspicuous lucid blue eyes. He
rarely smiled, but his inherent self deprecating manner allowed him to issue
outrageous comments without fear of denigration or ridicule; an attribute that
enabled him to ask impertinent questions which efficiently obscured a
mischievous and crushing wit.’
This
was evident when Birdie recalled an earlier anecdote between the king’s
consort,
‘In
the meantime’ Meadows continued, ‘a relaxed HRH was observed with what can
only be described as a far away look in his eyes, as he contentedly slurped his
Jackson’s of Piccadilly Lapsang Souchong tea while blithely munching on his
Harrods’s of Knightsbridge buttery shortbread’.
Moreover,
with shaking shoulders a highly amused and irrepressible Birdie exclaimed,
‘the following day, and I offer my heartfelt apologies dear friend for the
puffed up phrase, the servant’s quarters were awash with titillating
merriment’.
‘In
the months that followed, G-Gee-Gee, in an uncharacteristic defiance of his
wife’s bothersome demands, and
much to her displeasure, spent more and more time with his beloved cock. He made
copious notes about its behavior; the number of times the hens were mounted or
trod to use the correct term, the number of times his cock crowed, albeit with
that discomforting and bizarre stammer. As the weeks passed the king noted that
after his cock had finished treading the hens in an orgy of sexual pleasure, it
habitually stood with feet wide apart; head thrust back, and emitted a
preposterous but nonetheless proud croaking of Cer, Cer, Cer, Cer, Ceroo.
‘I
must admit’, Meadows confided in Birdie, ‘it was strangely appealing to hear
the king’s cock doing its best to qualify its natural instinct of full blown
crowing, but failing miserably. On the other hand, his cock did not appear
discouraged, but carried on with its virulent treading. However, within a few
days’ Birdie gasped, as another cloud of smoke settled about his head, ‘the
king made a significant decision to alleviate his cock’s disability if
possible by acting as a human
speech therapist might and attempt to establish a
proper cock-a-doodle-doo within his dearly loved cock.
The
king’s devotion’, Birdie added, ‘was to be much-admired but comic. To hear
him conversing with his cock in the hope that it would mimic the individual
sound of cock-a-doodle-doo was sidesplitting but also sad; especially when the
king standing with his feet wide apart and head raised heavenwards, called like
a loon to the moon. What is more’ Birdie said, ‘the absurdity of the
situation was magnified’, as he exorcised a persistent itch behind his ear,
‘when one of the chambermaids spotted HRH fiercely shaking his head from side
to side. Likewise an extraordinary gobble gobble gobble sound like that of an
apprehensive Christmas turkey aware of its fate’, issued from the king’s
lips he said.
Unhappily,
the king’s determination came to nothing as two days later tragedy struck
It
was shortly past ten in the morning after Gee-Gee had breakfasted well on his
usual platter of eggs, sausages, bacon, tomatoes and fried bread that Meadows
rushed outside, alerted by the spectacle of the king galloping full pelt from
the direction of his cock’s pen; arms flailing like a windmill and mouth agape
like a man possessed.
‘MmmmmMmmmeadows’,
the king stuttered, ‘ccccome qqquickly, mmmmy ccccock is ddddead;’ whereupon
Meadows with the king fast at his heels scampered towards the pen where they
found the king’s cock prostrate on the cold earth, wilted, lifeless and
undeniably dead.
In
one corner of the pen, the furthest from the coop lay the blood-spattered hens;
all four were headless. At the side of the fence not visible from the royal
residence, a deep hole burrowed below the wire still had a cluster of red
hair on it, enabling the fox to get in and satisfy his inborn blood lust.
‘And
what happened to Gibber and his cock’ I asked, as Bertie standing up swayed to
the bar for two more pints. Before continuing, he took another large mouthful
from his tall glass. ‘Oh the king was devastated as you’d expect and as we
all knew he would be; it was common knowledge that he adored playing with his
proud cock on a daily basis. Indeed, he was so distressed at the sight of his
treasured cock lying lifeless on the cold earth that he was unable to leave his
bedroom for over two months. In
the meantime, he gave strict instructions to Meadows to give away the pen, the
garden seat and the bower to anyone who required them.
Predictably,
one of his posh ‘mates’ took the lot and even had the temerity to charge for
removal and delivery to his country estate in the Home Counties’, he remarked
sarcastically while lifting his expressive
eyebrows heavenwards; a mannerism that said it all.
‘Of
course the king’s cock had to be buried the same day’ he continued, ‘and
this was completed by the resolute Meadows after Gibber had returned to his
bedroom. The king’s orders were explicit: which area of the garden was to be
set aside for internment, the depth of the grave and the materials used in the
coffin’, coughed Birdie as the cigarette smoke settled like a persistent fog
around us yet again.
Moreover,
after Birdie had returned from an outside break from the perilous smoke haze in
the saloon bar, he continued, ‘it was a few weeks later that a splendid bronze
plaque arrived. Emblazoned upon it were these words’.
A
prized & rampant specimen that will
Never stand erect again.