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ken*again, the literary magazine

       Vol. 2, No. 1 
     February 2001

   

       Edited and Published by 
    John Delin 
      Pamela Boslet Buskin


A quarterly, nonprofit e-zine presenting a hearty, eclectic mix of prose, poetry, art and photography: accessible, obscure, soothing, disturbing. Wrap your mind around a good read. Submissions invited.



ken*again
was inspired by ken*, the literary magazine of Syosset High School, Syosset, New York, the alma mater of your editors.  ken*again is not affiliated with ken*, Syosset High School or any official Syosset High School alumni association.

 






Contributors

 

Poetry

The kitchen has many voices but only the Onions sing  E. P. Allan
Cat Paws  E. P. Allan
Deserted Dessert:  Comfortless Food  Robert Tolins
The Bible Says Love Is Never Jealous  Robert Tolins
raptor 
Rochelle Hope Mehr
Topsy-Turvy  Rochelle Hope Mehr
Fire at Bitterroot  Rochelle Hope Mehr
The Ash-heap  Rochelle Hope Mehr
Music-less Chairs  Janet I. Buck
basics  Janet I. Buck

 

 

Prose      

Canine Blues  Geoff Slavin

Revenge  Jack Swenson

Wild Horses  Anu Kumar 
Permanence  Abira Jacobs
The Contestant  Gary Sloan

 

Art

Winter Flare  Robert L. Harrison

Snowstorm  Jerry Hull

Underpass  Jerry Hull

Break  Jerry Hull

from Chaos Series  Hal Muskat

Mica's UFO  Hal Muskat

Jack in the Groove  Hal Muskat

from Ashland Creek  Steven Good

Cartoon  Pamela Boslet Buskin

And another thing... 

Kissing  John Buskin

 


 


CONTRIBUTORS


E. P. Allan (poetry) has an MA in creative miss-spelling from the University of Wisconsin Milwaukee, and has worked as an EFL teacher in Japan, Thailand, and currently in Saudi Arabia.  Allan has won the American Poets Prize and has published in both old print magazines and new electric ones.

Janet I. Buck  (poetry) has a Ph.D. in English and teaches writing and literature at the college level.  Her poetry, poetics, and fiction have appeared in hundreds of journals world-wide and she has a volume of collected poems entitled Calamity's Quilt.  Buck has also won numerous creative writing awards.  Two of her poems have been nominated for this year's Pushcart Prize in Poetry and she is a recent recipient of The H.G. Wells Award for Literary Excellence.  Buck's new CD of poetry and music, Before the Rose, contains poetry read by the author set to the moving and graceful musical scores of David Jackson, Chris Carmichael (a fiddler in Kathy Mattea's band), and Andy Derryberry.

John Buskin
(And another thing...) is the editor of the Dow Jones intranet.

Steven Good 
(photography) grew up in Syosset, New York and currently lives with his wife, Karen, and son, Brendan, in southern Oregon.  He has been a freelance photographer since 1974 and is now also working on a book project.

Robert L. Harrison (photography) is a poet, writer and award-winning photographer.  Two of his photos are on the cover of the Hempstead, New York town calendar.  "Winter Flare" is now hanging in the Smith Ponds House in Smithtown, New York. Harrison also has two poems in More Spice Than Sugar, a children's book being released on Feb 26.

Jerry Hull (photography) is a native of Binghamton, New York, and is currently teaching Computer Science at Ithaca College. In addition to freelance photography, his other interests include guitar, songwriting, Shotokan Karate (in which he holds a 7th degree black belt), and singing.  Hull also has his own software development & software consulting firm. 

Abira Jacobs (prose) is a writer and consultant who lives in New Jersey.

Anu Kumar 
(prose) is a a 29-year-old journalist, working as assistant editor at Economic and Political Weekly.  She lives and works in Mumbai, India.

Rochelle Hope Mehr
(poetry) has had poetry in Aabye's Baby, The Bayou ReviewAnthology,  The Fauquier JournalPoetalkComrades e-zine, and other online and print publications.

Hal Muskat
(art) lives in northern California while fishing among seaweed and cactus for crusty poetry.  His prose has appeared in The Realist and leaked into frozen trashcans beneath the uncluttered desks of thickheaded illiterate agents.  During parts of two centuries, he has gotten stoned with many amazing people and done psychedelic lightshows for folks he used to pay to see.  He still steadfastly refuses to comment on decades-old rumors of affairs with Patty Hearst or Madonna, or the ones from Mr. Manheimer's office in 1964 that he got Syosset High School stoned on devil's weed picked up from boats in Greenwich Village; left packages of dosed Kool-Aid in the cafeteria, and invented teenage sex and rock 'n roll.

Geoff Slavin
(poetry) is a good Long Island boy with a checkered past and is learning to swim without his beachball.  He is a psychotherapist living in Albuquerque, New Mexico.

Gary Sloan
(prose) is a retired English professor from Ruston, Louisiana. In the 70s he published short stories in a number of now-defunct little magazines: Just Pulp, Pale Fire Review, Green's Magazine, Arkansas Review, and others. Besides many articles in academic journals, he has written essays on literature, science, and religion for sundry magazines: Skeptic, Free Inquiry, The Humanist, The Freethinker, American Atheist, American Rationalist, Exquisite Corpse, Impact, and so forth.  He also writes commentaries for the Scripps Howard News Service.

Jack Swenson (prose) is a former teacher. Now retired, he and his wife live in Northern California. He has a B.A. in journalism from the University of Minnesota and an M.A. in language arts from San Francisco State University. His publishing credits include a grammar textbook, two books on business writing, and a book on horse racing. Ten of his short stories have been posted (or are in the queue) in web magazines. Among the authors on his list of literary influences are Chekhov, Isaac Babel, Hemingway, and Raymond Carver.

Robert Tolins (poetry) is a retired lawyer.  His first novel, Unhealthy Boundaries, was recently published to critical acclaim.  His next book is expected out this year.

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"I see a new aliveness... with all the poetry slams, the cowboy poets, the feminist and gay poets, the experiments with rap. It's like the beginning of the 19th century, the Romantic movement, which started with street ballads."

Stanley Kunitz, 95, America's new poet laureate

 

 

  


 




 
 
 
 


                                                                                                              

Canine Blues                                                                

 by Geoff Slavin                                            

                                                                                                                                         
s long as the weather stays pretty, 'Buelito and 'Buelita Montoya are out on their porch, sucking cans of low-cal.  Their house is two below mine so they catch me every day.  "Hiya Stan, buenos dias.  C'mon, hombre.  Teck a load off.  Marta, andale, bring him a Sprite or Pe'si.  Whachu haf, man?  We only got diet."

Impossible to get by without being downright, east coast rude.  Actually, I like the old guy.  He worked in the mines years ago, when Bison was a boom town.  His skin's like tooled Mexican leather.  He's a lean dog so I don't know why he drinks that diet stuff, except maybe to keep his wife company.  Abuelita's pretty hefty.  She hands me a cup of instant.  I found out coffee's easier than soda to dump over the porch in one quick stroke.

He offers me one of his wife's menthols.  Doctor "made him" quit a while back, but he can't or won't remember that I don't smoke.  "Heh heh, Stan's gonna go to heaven.  He don't got no bad habits," he says to his wife.  She nods and blows out smoke.

"Josita, Rosita," she coos to the Chihuahuas who sit in her lap shivering like wet rats.

"Nest week my son is comin'," 'Buelito tells me.  "My baby."  He shakes his head.  "Thir-fife years old, amigo.  You're gonna like Doug.  Pues, his name is Diego, but all hiss anglo frens, they call 'im Doug."

Once the coffee's spilled into the dirt, I can leave.  Float up to the house weak with hunger, soothe my nagging hypothalamus with sucrose, carbohydrates, and a couple of fatty acids.  Smoke a little doobie in the sunshine.  Guitar's my last old pal.  Call me happy.

*     *     *

"Que tal, amigo?  Come over here an' meet my boy."  Doug is swarthy, with silky black bigotes.  A keg-belly swells out his tee shirt.  His wife Sunny, a slattern blond with a paunch to match her hubby's, wears red stretch pants.  She looks like those tomatoes you get in the Safeway, bulging under Saran Wrap.  "Howdy, howdy," says everybody.

They become a permanent fixture down there, Doug and Sunny, and to tell the truth, it's kind of a relief.  Nobody invites me for diet pop anymore.  Now I'm the one goes "Buenos dias" as I pass.  "Hey Stan.  Howzit goin'?"  Doug don't mess with low-cal, he's a Coors man.

*     *     *

"God, you never want to do anything," Jennifer says.  "You're like a rock dweller... a lizard, or a scorpion, or something."

"And you're a dyke."  She laughs.  Her short black hair's combed like feathers against her head.  She's right.  I am like a lizard, 'cause I love that sun.  Like a scorpion too, maybe, because I'd rather stay home than go with her and her fat-assed girlfriend to the annual Bison Thanksgiving dinner.

On the patch of level ground that's my porch and front yard, the late November sun's balmy.  Scattered on the hillsides, the houses of Bison are dug in and stacked on anything that resembles a flat piece of land.  Wild flowers cheer the weather on.

Jennifer smiles like an Eskimo.  "Play 'Mariah.'"  My fingers pick out the tune.  She sits down on the broken chair and from her clear voice the song sails like a lonesome bird over the canyon.

Norma comes up looking for Jennifer.  What a face, like stormy tropical nights.  Jennifer changes right away, gives me a dirty look to reassure her lover.  But then, just as they leave, she turns back.  "Sure you won't change your mind?  Free food..."

"Thanks anyway.  Reckon I'll just set here on my piece of the rock and catch some flies."

"Right."  Her teeth flash white in the sun and she turns and touches the sullen Norma.  Why are all the women I love either dykes or two thousand miles away?

Laughter and shouts waft up from the BINO (Bison Neighborhood Organization), an old schoolhouse.  Snatches of music.  Idling motorcycles echo up the canyon so I can hardly hear myself play.

The high Arizona clouds turn rosé.  In Mexico, fifteen miles to the south, glowing red hills rise like pyramids.  Nick-toi, an alley tom that's adopted me, comes to the front of the house, his scruffy tail kinked like a knuckle.  He licks at a bald patch on his shoulder.  I have to keep his dish on the roof because of the damned dogs that roam in packs at night, strewing garbage.  The town commission passed an ordinance, but dog owners pay no mind.  There's dog shit everywhere.  Even downtown in front of the P.O., big smears where the good folk have stepped right in it.

"Okay, Nick."  I throw some leftover beans and a few chips of cheese into his dish.  "Same diet as me, old buddy.  No fancy holiday dinners around here."

*     *     *

We get three solid days of rain.  I hide out under wool.  When the sun returns, 'Buelito's truck is gone.  "Yeah," Sunny tells me, "they had to move to Tucson.  For the warmth.  We're taking care of the house."

Few weeks later, Doug brings in a couple of dogs, pups, I guess, but they're tall and lean, with clipped Martian ears, and paws as big as my palms.  These things tumble around the fenced yard, real cute, except for the shit they're squirting all over.  Doug and Sunny stay inside, quaffing beer.  The dogs hurl themselves in eager silence against the chain links at everything that passes, unsure yet whether they're glad or mad.

By the end of winter, they're not puppies anymore.  They charge the fence with bared teeth.  Every night they're chained to the house.  "Rauf rauf rauf," one of them starts, as the latch goes on his collar.  "Rauf rauf rauf," the other one fills in the spaces.  It's a solid all night bark.                                                                                 

*     *     *  


"Sounds like they're right in my room," I tell Jennifer when she comes to complain.  "It's the damned Chinese barking torture."               
                    

 "Don't make me laugh, please.  My head is killing me." She rubs her eyes without messing the
  black arch of her brows.  "I don't know what we're going to do.  I mean we haven't had a
 decent night's sleep in months."  She looks tired and sad.  "We're thinking of leaving."  

 "Everybody tells me it's useless, but I'm gonna' talk to Doug." 

 
As I go down the steps, I see him toss  hunks of meat into their bowls.  Looks like
  porterhouse.  Fangs dripping, they gobble it up like water.
 
"Hey Doug."

"Yawfyawfyawf."  They fling themselves at the fence.

"Oh, hey, Stan."  He comes to the gate, the dogs prancing around him as if they hope he'll whip me like he whips them.  "Whu's hap'nin', bro'?"

He knows damn well what's happening, but I play it straight.  Ask him if he can't just take his dogs in at night.  "Doesn't the barking bother you folks?"

He gives me a nasty look.  "You don' like dogs, do you?  Man's bes' fren, ain't they, Diablo?"  The dog smells his hand and cringes.

"They're keepin' people awake, neighbor."

He doesn't know how to take this, decides to smile. "Sure, man.  I'll put 'em up.  I was gonna build 'em a dog house this weekend anyway."

The weekend comes and goes, dogs have no calendar.  Jennifer brings me a petition with a dozen signatures.  "Never sign nothing," echoes Uncle Rod's advice, but I add mine anyway.

Maybe that's why the beasts are so ferocious when I walk by.  Doug slips into the house just as I pass.  I say nothing.  Let the community handle it.  One of the dogs leans on the gate to bark in my face.  To our mutual surprise, the gate flops open.  He recovers fast and sinks his teeth into my ankle.

Doug runs out and whistles.  The dogs grovel, obey.  He shuts them into the house.  "You okay, man?"  Blood's running into my sock.  "Wow.  That looks pretty bad.  You shoultn'a tried to open the gate."

Whoa.  Pain takes a back-burner.  I search his bloodshot eyes.  "Waste no words," says my internal guru, so I limp to the police station, while the blood is still fresh.  File a complaint with corpulent Daniel Laine.

The dogs aren't in sight as we pull up in the BPD car.  My foot hurts like hell but it's all worth it.  They're gonna be put to sleep, something they can't seem to do while alive.  Doug comes to his door as Officer Laine gets out of the car.  "Hiya, Danny."

"Whaddaya say, Doug?"  They shake hands over the fence.  "Sorry to bother you about this, man, but I got a complaint about one of your dogs.  Fella here says it bit him."  Doug shoots me a crafty look, brings them out on leashes.  They cower at his feet, panting.  

"Okay, now Mr., uh, Thorne, which one of these dogs is the one that bit you?" the officer asks me.

"Huh?  I can't tell 'em apart."

"In other words, you can't identify the animal?"

"In other words, it was both of them attacked me.  They're both menaces."

"I'm sorry, sir.  Before we can act on a complaint like this, we got to have positive identification of the animal in question.  See you, Doug.  Sorry to take up your time."

"No pro'lem, bro'.  You're just doin' your job."

"Rauf rauf."

Clang.  I've got a new game.  Every time one of the dogs barks, I heave a stone onto Montoya's tin roof.  I aim for a spot directly above the TV.  Not as much fun as the guitar.  

Three or four days of this wear on Doug's nerves.  One morning at seven both dogs are carrying on and I chuck a saucer-sized piece of concrete onto the roof.  The front door slams and Doug makes it up the fifty steps pretty fast for a fat guy.  "You better quit it, man."  He's panting so the words come out broken.  "Because I might have to go to the police."

"You better put your fuckin' dogs up, before something happens to them."

He takes a step towards me.  "You threatenin' me?  Because if anything happens to them dogs, I'm gonna come up here-"

"If you ever come up here again, Doug, I'm gonna get my friend to take care of you."

"Oh yeah.  Who's your friend?"

"Name's Colt."

He laughs.  "I ain't afraid of you."  Lights a cigarette, low tar, and turns.  Fifteen feet away he calls back.  "I was born here, man.  No way I'm gonna let a bunch of New York fags and dykes run my life."

*     *     *

Jennifer walks in while Harlan, the local deer-slayer, is showing me how to work the gun.  It's a crummy thing, with tape around the handle.  For twenty bucks, he'll throw in a box of shells.  "Oh Stan," she says when we're alone, "don't do it."

"Don't do what?"  I'm not sure yet what I'm gonna do.  Lure the dogs out of the yard and shoot them in a field?

She's chewing her nails.  Things aren't going well between her and Norma.  "Get rid of the gun, Stan, please."  Then she floors me.  "If you get rid of it I'll sleep with you."  She looks away.

"Sleep with me now."

"Promise me you'll get rid of it?"

"Let's make love, Jennifer, not promises."  I slide the pistol under the old sofa and take her in my arms.  She smells like clean clothes and cocoa butter, but her lips are dry, unyielding.  She pulls away.

"I dunno Stan.  I can't."  She's at the door.  "I'm sorry."

*     *     *

"Rauf rauf rauf." 

Clang clang clang.  It's afternoon and I'm almost out of rocks.  I hurl an old car part and it hits the roof with a loud clatter and rolls around on the tin.  From the way the front door slams, I can tell that got to Doug.  I slip into the house.

"Open up, goddam it, open up!"  He's smashing at my door with an old shoe.

I open the door, the gun aimed right at his face.  His eyes widen.  "I told you not to come up here anymore."  My mind is clear, my hand steady as stone.  He licks his lips.  His dogs are yowling in the yard.  I don't let myself think what'll happen if he comes at me.

He backs away.  "You son of a bitch," he mutters, but he's leaving.

I lean against the closed door while the shakes hit me.  If the gun had gone off...

I throw stuff into my pack.  Stick the guitar in its case, look around.  Five years.  Good-bye's easy when there's nothing left.  Set the bags by the door and take the gun outside.

The sky is still a deep clear blue.  Dump out the bullets, toss them at the roof.  Ping ping ping.  With a melon-sized boulder I smash the gun against the concrete till the chamber falls off and the barrel's bent.

With all my might, I fling it at the roof where it lands with a resounding crash.  Then I grab my stuff and head up the stairs to the dirt road.  That'll put me on the highway unseen.  Catch the night bus to Mexico, where dogs are perros, and a man's best friend might be a woman, or a flat rock high up in the red hills in the sunshine.           

 

 

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Revenge                                                                                       

by Jack Swenson                                                                                   
 

atsy found out he had cancer after he hurt himself drowning a skunk.  When he went to the doctor, they found a spot on his liver.  Patsy knew his goose was cooked, but his friends told him to keep his chin up, there was always hope.  Patsy had trapped the skunk and dropped it, trap and all, into the lake.  Patsy is a little guy, and the skunk was heavy, and he figured he pulled a muscle or strained something carting it down to the dock.

Patsy seemed amused by the turn of events.  "Isn't it wonderful how my body keeps producing these exotic growths?" he asked me that summer.  I was visiting my mother in Minnesota, and I had stopped by the lake to see my old friends.

When I got back to California, I told my wife to be sure to put out extra food for the skunks.  Every night we put out food for the stray cats, and usually a gaggle of other critters would show up to see what was on the menu:  skunks, raccoons, and an occasional possum or fox.

"No use taking chances," I told Katie.  "Let's keep the skunk gods happy."

I saw Pat the next summer, and he looked great.  A few weeks later, however, he got sick, and by the end of the summer, he was dead.  I sent flowers for the service and a card and letter to his wife along with a check for the memorial.  "That man of yours had the guts of a burglar," I said in my letter.

I'm not a religious person, but I don't believe in luck, either.  I like to keep all the bases covered.  But I don't know what to do about the walnut tree in the back yard.  I think the tree is trying to kill me.

It's a formidable tree.  I don't know how tall it is, but the trunk is over three feet in diameter at the base.  I've had the tree trimmed several times, and when the men with the chain saws are doing their precarious balancing act in the upper branches, they look like ants.

The tree keeps throwing its branches at me.  The last one could have killed me.  I measured the branch that fell, and it was six inches across at the end where it broke off.  The foliage filled one side of our back yard.  I had been working on the planter box at the base of the tree, spackling cracks in the wood, and I went inside when I heard the doorbell ring.  When I came back outside, the branch was on the ground, the splintered edge of the fallen limb not more than a foot or two from where I had been working.

The next day I told my friend King that the big guy upstairs must have been looking out for me.  King said, "No, he tried to hit you, and he missed."

Maybe.  Do you suppose it's possible that God's aim is bad?  If that's so, it would sure explain a lot of things.

I still think the tree has it in for me.  Maybe it blames me, and rightly so, for letting the tree trimmers whack off its arms.  Or maybe it's because I take the walnuts to the dump each fall when the tree rains them on our back yard.  I don't know what else to do with them.  Except as food for squirrels, I know of no earthly use for black walnuts.

Payback?  Could be.  What goes around, comes around, I know that for a fact.

Sometimes I get back at my wife because I want to have sex and she doesn't want to.  My wife is a nurse.  She works hard, and she has a long, tiring commute.  She leaves the house at six in the morning and gets home at five or six at night.  I'm retired, and I have plenty to do, but I've got time to help around the house, and I do.  I feed the cats and clean the litter boxes.  I wash the dishes and vacuum the carpet.  Sometimes I wash and dry the clothes, I take out the garbage, and I sweep the kitchen floor.

When I'm out of sorts because I think my wife is neglecting me, I'll "forget" to do the laundry or sweep the floor.

One day a week or so ago, I left a dirty, crumpled towel on the kitchen counter by the sink.  My wife hates that.

Katie and I had an interesting conversation one evening earlier this week.  We were talking about quitting smoking.  We were sitting on our back porch after Katie got home from work.  Both of us had cigarettes in our hands.

Katie told me to quit the evil weed, by all means, but she said she wasn't planning on quitting any time soon.  "I'm just getting back to where I was when we quit the last time," Katie said.  That was in 1997.  We had both stopped smoking at the same time, and it didn't bother me, but Katie went nuts.  It took her months to get her brains unscrambled.

Katie said she knew what happened, but it took her a while to understand it.  "I shut down," she said.  "I didn't want to feel bad, so I shut it out.  The trouble with that is that when you build a wall, you shut out both the good and the bad."

"I've got a lot of good things in my life," Katie said.  "Our house, my work, and you.  Especially you.  And I haven't been taking care of these things.  I do my job, but I haven't been taking care of the house, and I haven't been taking care of you."

Katie said that the truth hit her one day that week.  She ran into an old friend, and it brought back memories, some good, some bad.

"I thought about people I no longer see and things I no longer own and my dead cats," Katie said.  She could feel the walls go up, Katie said.

That night after dinner, Katie was lying on the couch, and I was sitting next to her, watching a baseball game on TV.  Katie was exhausted, but I was feeling full of piss and vinegar.  I pushed up the hem of her shirt and kissed her on the stomach.


Katie giggled.  "I can't move," she said.  "You'll have to take me here."

"Okay," I said.  And that's what I did.

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Wild Horses                                                                                    

by Anu Kumar

 

he land curved sharply towards the south, in almost a sudden arc.  And the sea rushed in to fill in the nooks and crannies that jutted sharply inland.  Old cliffs looked down towards the onrushing sea, out towards where the island stood, almost forgotten, ignored by the swirling waters.  Only a narrow channel separated it from the mainland, but it might just as well have stood isolated by itself, in a vast ocean.  For the people who lived there, eking out an existence by fishing and repairing the sea-going vessels that often stopped by, the island was their own world.  It was small, but enough to sustain them.

Beyond the island, across the sea and hidden by the sharp cliffs, was the kingdom of Purvadesh.  Its king was the young, tyrannical Abu Sayed, with a passion for collecting diamonds, land and horses.  Travelers, voyagers and seafarers would frequently lay anchor on its shores and dare the cliffs to reach the king's capital to show off their treasures to him.  And when pleased, the king would reward them handsomely.

One day, a merchant from the far away land of Bedoina, located deep in the deserts across the raging seas, was driven to seek shelter on the island by a fiery storm.  His ship straggled to the shore, tired and beaten by the tempestuous wind, and the weary travelers limped to the shore, watched by a few island onlookers.  It was then that the islanders saw that their guests had also some odd creatures with them, animals they had never seen before.  They trotted ashore, following the men, led by a long rope held around their noses, oblivious to the looks of the curious bystanders.  These four-footed creatures, magnificently built, elegant and agile in their silken coats, with a long mane of hair darkening their heads and neck, an elongated head and hooded eyes, were unlike anything the islanders had ever seen before.  The islanders stood in silence as the horses waded ashore, eager for a bite of food and some much-needed rest.

The islanders made them welcome and listened in all seriousness as the merchant narrated his woeful tale.  The horses were for the maharaja of Purvadesh; they were of the finest Turkish quality, and were indeed very superior and noble creatures, but the maharaja was now destined never to possess such fine specimens because of an ill wind that had suddenly arisen, driving the merchant's ship off course.  But the chief of the islanders was a thoughtful, wise man, and he had a solution.

"You may spend some time with us while we see to your ship's repairs.  Or, if you are in a bigger hurry, you may sail to Purvadesh immediately on one of our small fishing boats, taking some horses with you.  The rest you may leave behind in our care.  Once you return, they are yours."

The merchant was only too happy to agree.  He wished to set sail as soon as a fishing boat could be made available to him, for everyone knew of Abu Sayed's swinging moods and one could never tell when a particular whim would take possession of him.  So with some of the finest Arabian horses, laden with adequate provisions, the merchant set sail again.

The remaining horses were led away and placed in a fine enclosure of their own--a large enough open space, where the grass grew greener than anywhere else on the island, for the islanders were known to be generous hosts and wished the horses every comfort.  And they watched in admiration as the horses grazed on the fine grass.  All waited for the merchant's return.

Days passed into weeks, and then the weeks grew longer still, and the islanders scanned the sea from their hilltop positions for any sign of the merchant's return.  But the sea remained calm and undisturbed and displayed no sign of any arriving ship.  And soon the islanders grew worried and the horses restless.  For the islanders knew that the grass would soon run out, and the horses would soon fret and fume.  They had already begun stomping their heavy hooves on the barren ground, shaking their heads so that their fine manes ripped in the wind.  Every day the horses were moving closer and nearer to the islanders' fields and their homes, in search of the grass that grew so rarely on the barren, rocky island.

The islanders had planned their colony well.  The field where the horses grazed stood at one corner away from their homes and fishing boats; the streets ran at right angles to one another and every house had its own vegetable patch to grow the few vegetables that the sparse rain and dry soil would allow.  But the horses proved to be voracious.  In a matter of days, the fine green carpet of grass had given way, revealing dry, caked patches of brown earth.  The horses craned their necks in an attempt to devour the leaves and twigs that grew on the lowermost branches of trees, they crowded around kind-hearted islanders eager to feed them a morsel or two of grass they had collected on their own and a few vegetables.  But soon the islanders, too, found themselves hard-pressed.

The merchant showed no sign of returning and the horses, hungrier than ever before, trotted out of their former green enclosure and ventured forth into the town.  They moved down its streets, eyes burning in a frenzied search for food, noses held high to sniff in any certain smells of grass, vegetables, anything that would still their voracious appetites.

The streets were narrow and the islanders had to press themselves to the corners, stand sideways, with their bodies held against the abutting houses, as the horses thundered past, raising a fine cloud of dust.  The horses leaped across earthen walls, boldly trampled down straggly fences and reached out to eat to their hearts' content from the many vegetable patches that were a source of pride and joy for many an island woman.  They ate, chomping and gnashing their food with their handsome-looking teeth, making a noise much akin to the cracking of stones, and the islanders could do little else but watch with stupefaction and a helpless horror.

And as more days passed, the horses grew bolder still.  They walked the streets as if they and not the islanders were the original inhabitants of the island.  They slept in the patches that had once seen a fine crop of vegetables.  Soon their triumphant, long-drawn neighs had drowned out the sounds of the islanders' voices, and the islanders could no longer hear each other say anything.

The cries of the birds, too, were drowned out by the wild, uncanny neighing of the horses, driven to a frenzy in their hunger and sudden abandon.  And in their sudden and newfound freedom, their numbers increased, so that over a few short days, the number of horses had doubled, tripled, indeed multiplied several times over.  They grew ever more daring, raiding the weekly island bazaars where the islanders exchanged their wares.  They brazenly moved into the central square and with a fair toss of their elegant heads upset the vendors' carts so that their exotic vegetables rolled over onto the ground.  The horses would wage their own private duels to get a share of the prize goodies and foodstuffs that now lay in ignominy on the ground.

And the islanders would often find when they looked up that the horses would be looking in at them, through the open windows.  Everywhere the islanders went, they smelt the same horse smell, overpowering and brutal; horse dung sat like patches of cake on streets and in front of doorways so that the islanders had soon to hop, skip and jump carefully over it.  And soon more sinister events made themselves apparent.  The horses boldly entered kitchens, upsetting vessels, scaring the women.  When they found nothing to eat, they gobbled up linen, clothes, toys so that newborn babies and infants shriveled up in fear and died, choked by their own silent cries.

The islanders were increasingly being driven to desperation.  Because they could no longer hear each other, they conversed in signs and read each other’s lips, unless their vision was clouded by some horse or the other blocking their path.  At long last, they decided to meet.  They knew they had to put their heads together and think, for now they knew their very survival depended on it.

They met in the same field that had once housed the horses.  The few remaining islanders trudged into the fields, weariness and fear writ large on their faces.  The island chief opened his mouth to speak, but no one could hear him say anything.  Days and weeks of silence had somehow suppressed his voice and the evil neighing of the horses in the distance and all around them drowned out what few sounds he made.  The islanders' ears now throbbed to the daily rhythm of this plaintive neighing, it surged into their ears, rushed into their blood and choked their minds so that as they stood in the field, hoping to find a solution to end the evil days into which they had fallen, they found themselves facing an immense void.  Long hunger and desperation had dimmed the previous brilliance of their eyes.  Thoughts once coherent were now disjointed, and, coloured by thoughts of food, drifted past their minds.  So they moved closer to hear their chief, for if there was one person who could see a way out, it was he.

They milled closer, ever closer, and then finally caught the sound emanating faintly from his lips.  Low and harsh, shrill and often long-drawn, it sounded very much like a horse's neigh.  At that sudden realization, they looked at him, and then at each other.  Their faces somehow looked changed, ears that were once flat now stood raised up and their hair now grew in a long, thick rush that tumbled below their long necks.  They looked downwards at where their feet had been--they now looked like strange solid grey blocks that clattered as they tapped on the stones.  Then they saw that the grass had now reappeared and looked very inviting.

Without a second thought, the islanders bent their long necks to the ground and grazed contentedly on the fresh new grass.

 

 

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Permanence                                                                       

                                                                                           

by Abira Jacobs       

 

 

he girls had been told they wouldn’t be going to the beach that afternoon.  They only had two weeks down the shore, and they protested, but Florinda, their mother, had informed them they would be going with Grandmom Essie to get permanents in their hair.  They would be doing this in a beauty shop owned by Florinda’s Aunt Rue, a mountainous, nasty woman they usually had to see for only an hour or two a year.  The girls were not pleased.

“Ewh, c’mawn, Es,” Rue had insisted in her Philadelphia accent, thick as tar, to Essie.  “Florinda keeps her daughters so plain.  I’ll just add some curl t’th’children’s hair.  B’lieve you me, they’ll look byoodiful.”

In private, Florinda tried to protest.  “I don’t want my girls looking overdone.  I want them to look elegant, like Grace Kelly.  Rue does not know how to accomplish that, Mom.  Why are you dragging us?”

“Florinda,” Essie commanded.  “Rue knows exactly what she’s doing.  She has a very successful   business.  She is family.  She’s going to give the girls a little extra oomph.  That’s all.”

“Oomph is what I’m afraid of,” muttered Florinda.

The mother and adult daughter, accompanied by six-year-old Jenny and three-year-old Mim, tumbled into the car and headed down busy Ventnor Avenue, toward the Atlantic City end of the island.  In the back seat, watching the buildings become more and more rundown, the girls knew their hair, like Aunt Rue herself, would be stubborn.  It would not come out curly, no matter who did what to it.

“This is a waste of a good beach day,” complained Jenny.

“I want an Eskimo Pie,” added Mim.

“Not now, girls,” answered Florinda sternly, glancing over at her approving mother in the passenger seat.

They pulled up to a decrepit row of storefronts.  The façade seemed to Jenny and Mim to be like the cover of a bad book, practically screaming, “If you read me, you will be sorry.”  To them, the hint seemed perfectly clear, yet neither of the grownups appeared to be heeding or even noticing it.  Instead, like tourists in an exotic locale, Florinda and Essie scanned the block until they spotted the broken neon sign:  Rue’ Be uty Pa lor.

“Tiptoe carefully, girls,” instructed Florinda.  “Step over the broken glass and dog mess.”

The salon was one room, small and airless.  The pink vinyl seats were spotted and torn, the mirrors chipped and streaked, the floor grimy.  Bit by bit, Jenny and Mim absorbed the shocking scene, their eyes taking in one section at a time.  When they got to the middle of the room, they beheld Rue.

“Hi, ladies,” chirped the behemoth.  “Come give Aunt Rue a kiss.”  She kneeled down as best she could, jabbing her sandbag arms in their direction, gesturing for the affection she’d apparently been promised.

“Go on, girls, say hello to Aunt Rue,” Essie ordered.  Slowly, tentatively, they inched toward her, until they were an arm’s length away.  With the swiftness of a mantis eating her mate, she grabbed them, pulled them in toward her mountainous chins and chest, and planted a desperate kiss on each of their left cheeks.  She dropped her arms.  The girls thought they were free, but she swiftly rebounded, grabbing one cheek in each hand.

“Shayna mayna punim.  Such beautiful faces.”  She finished off the pinches with an extra little fillip of pressure and shoved the girls backward the slightest bit as she released them.

Jenny and Mim looked at each other, terrified.  Their grandmother had taken them to visit some some strange relatives before, sometimes against their mother’s will, but Rue was the scariest.  What if there were others like her?

Jenny noticed Rue’s red lipstick mark on Mim’s cheek and lifted her hand to rub it off.  Essie stopped her.  “It’s not ladylike to touch someone else’s face, Jenny.  Put your hand down.”  Maybe this was some sort of family initiation rite.  Perhaps there was some sort of etiquette rule Jenny hadn’t learned yet.  She was young and had to follow orders, yet she didn’t know if she should or not.  The red mark stayed.

The perming room was a tiny closet with a small sink below the single window.  Rue sat Jenny in a chair, draped her with a heavy smock, and tilted her back toward the sink.  Then, she drenched the hair, section after section, with an acrid permanent wave mixture and rolled it tightly, painfully onto little curlers.  She repeated the process on Mim, who shrieked every three or four seconds, as though the hair were being been ripped from her head.

Essie warned, “Mim, hush.  You’ll distract Aunt Rue and your hair won’t come out beautiful.”  A tense silence ensued.

The day was warm, and as Rue worked, she began to perspire profusely, the odor wafting directly from her cleavage and armpits to the girls’ noses.  Yet the girls dared not move or recoil, because they feared Essie’s wrath.

Then came the climax of the day.  After wielding a scorching hair dryer on each child, Rue ceremoniously unrolled the curlers, first Jenny’s and then Mim’s.  One curler, and Rue looked puzzled.  Another, and she appeared deep in thought.  The next, and she began to breathe heavily.  Another, and she began grunting rhythmically.  Finally, all were out on both heads, and Rue was seething.

“You girls have th’straightest hair I have ever seen!  Essie, Florinda, I have tried my very best.  You have seen how hard I have worked.  Their hair is hopeless.  And that Mim is an obnoxious little girl. Florinda, you need t’teach her some manners.”

Florinda went rigid in her seat.  Essie started tapping her foot, hard and fast, and shifted her weight forward as if preparing to stand.  A long moment passed.

“Florinda, you heard what Rue said.  It’s not going to work.  It’s not taking.  Why you agreed to this, I’ll never know.  I had things to do this afternoon, and I’m sure Rue could have used the time on regular customers.  Ruehleh,” she continued, addressing her sister-in-law in the Yiddish affectionate, “you did your best.  What can you do when even that isn’t enough?”

Jenny felt trapped.  If she protested these insults, Essie would make her feel awful.  If she didn’t, she’d be letting Essie get away with hurting Florinda, and that would be even worse.

In a small voice, she ventured, “Grandmom Essie, you were the one who got us here in the first place.  Why are you blaming Mom because it didn’t work?”  She turned abruptly to Florinda, looking for validation, but Florinda had retreated to fixing her own hair and applying fresh lipstick.  Only by looking closely could Jenny see the rim of tears under her eyes and the almost imperceptible slump in her stance.

Florinda gave her hair a final pat and gazed at herself in the mirror.  She took a couple of deep breaths and seemed to plant her feet more firmly on the floor.  Jenny felt sure she was gathering the courage to stand up to Essie.

But all Florinda said was, “I’m sorry, Mom.  I don’t know what I was thinking.  Come on, girls, let’s get ready to go.  Tell Aunt Rue thank you.”

“That’s right, girls,” added the victorious Essie.  “Give Aunt Rue a kiss.  Kiss her again, Mim, this time like you mean it.”

On the ride home, Essie and Florinda were silent, each afraid to speak lest she throw a fatal verbal dart.  The girls stayed quiet, too.  Their impulses to comfort the women, to remind them they were family and would love each other no matter what, seemed irrelevant.

The next day on the beach, the other children asked where Jenny and Mim had been.  The girls answered that they had gone with their mother and grandmother to visit an ugly old aunt.  They told horrible, scary tales, not so far from the truth, about the way the aunt had locked them in a closet and doused them with chemicals.  The other kids listened, amazed the girls had survived and envious that their own families could not offer such adventures.  Jenny and Mim knew that most families could not and wondered why.

 

 

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The Contestant                                                                                       

 by Gary Sloan

 

or the first time since his retirement, Alexander Prittle arose before 6 a.m., an hour at which he had punctually arisen every day for ten years.  Since four o'clock he had lain awake in a fit of nervous excitement, and now, at ten to five, every inch of the mattress pressed against him, thrusting him upwards.

Standing next to his bed, he began unbuttoning his pajama top, his fingers aquiver, and, when he had it off, he stepped out of the bottoms, nearly tripping in the process, folded the garments and placed them on an old brown coffee table flush against the foot of the bed.  He then slid off his baggy boxer shorts and dropped them into a large plastic trash can, his hamper, that stood next to the bedroom closet.  From the closet he took out his favorite suit, a gray gabardine he had bought at a thrift store a few years before his retirement, a white shirt, and, finally, from a shoe box piled high with assorted colors of them, a red bow tie.  As he was about to place the items on the crumpled bed covers, he shook his head, laid the garments beside the pajamas, and then, with the efficiency of long practice, spread the covers into place.

The task completed, he walked down the short hallway that led from his bedroom, past his study, to a small bathroom at the end of the hall.  Before stepping into the shower, a coffin-sized tin box with a discolored rubber mat, he tinkered with the "hot" and "cold" knobs until he coaxed from the nozzle a steady stream of lukewarm water.  While he soaped himself, his left foot beat a tattoo against the mat, and several times the bar of soap shot from his fingers, ricocheted off the shower wall and boomeranged against his shin.  Once, as he retrieved the soap, he bumped his head against a knob, piquing him to a muffled howl of indignation

After drying off, he began to lather his face.  As he peered into the mirror, speckled with mildew, above the wash basin, he tried to work around his pencil-line gray moustache, but his trembling fingers betrayed him, and, before he was through, his moustache, nose, and ears were streaked with white.  While he shaved, the straight razor kept getting off course, making perverse sallies at his temple, forehead, and upper torso.  When he at last finished, he had to apply styptic to chin, jaw, and lower lip.

As he slapped on shaving lotion, he surveyed his left profile, then his right, and afterwards, tilting back his head, examined the frontal view.  He nodded, despite the nicks, at what he saw.  In the high brow and smooth dome fringed with silver, he thought, they will see intelligence and in the thin lips, assertive chin, and long nose strength of character.  Before he returned to his bedroom to dress, he took from the medicine cabinet a pair of tweezers and, musing on camera close-ups, plucked from his ears and nostrils a few wayward gray hairs.

After putting on his suit and tie and black dress shoes, which he had shined the night before, he went to the front door, ready to begin his ten-block trek to a small drugstore café where, every morning except Sunday, when the place was closed, he had a breakfast of poached eggs, toast, grape jelly, and one cup of coffee with cream.  When he was halfway down the walk that led from his compact frame house, the paint flaked and dingy, to the quiet residential street lined by modest homes and small yards, it occurred to him his stomach was in no shape to receive food, and, besides, he remembered as he pulled out his pocket watch, he was an hour ahead of his usual schedule.  The café wasn't open yet.

He checked his watch again.  No wonder the sky was dim.  5:40 a.m.  Four hours, twenty minutes to go.  If he caught the cab at nine, he would arrive at the studio about a half-hour before airtime.  He didn't want to get there any earlier.  Too much waiting would frazzle the nerves.  When the cameras began to roll, he must be the soul of poise, all faculties under control.  The stakes were monumental.  "Alexander Prittle"--this time tomorrow the name would be on millions of lips.

Swelling at the possibility, Prittle marched back to the house, resolving to make use of the three hours before his departure.  Inside, he went to the living room, his study, and stood before a Victrola, the top of which served as a book shelf, the only one he had and, he reminded himself, the only one he needed.  Atop the Victrola, arranged in parallel rows of equal length, were the complete Encyclopedia Britannica and Webster's Unabridged Dictionary, the whole of his library.

He had read each, cover to cover, several times.  When he was a CPA, he had read every weekday evening and on weekends, holidays, and vacations from 9 a.m. to 5 p.m., with only a brief time-out for lunch, when he had a liverwurst sandwich, a few chips, and a glass of milk.  The all-day schedule he had kept in the years of his retirement.  Sometimes, when visions of glory made him forget the pain in his back and the burning in his eyes, he stretched his workday to eight or nine o'clock.  His efforts had already paid handsome dividends, nearly forty thousand dollars, the take coming from five quiz shows he had been on during the last twenty years.  In that time he had sent monthly postcards to every program whose format boded success to contestants with a vast recall of facts.

Though he was pleased with his performances to date, the big opportunity had, until recently, eluded him.  It was exactly three weeks ago to the day that, when he answered the phone, a crisp female voice said, "Alexander Prittle?  Congratulations, you've been selected to be a contestant on 'The Million Dollar Question.'"

Now, as he sat in a vinyl recliner a neighbor had thrown away and prepared to re-read the "X" entries in the dictionary, he mentally computed the number of postcards he had sent the show during its twelve-year existence.  Around 140, he figured, at a cost of about twenty-five dollars.  Not a bad investment, he chuckled, that returned forty-thousand to the buck.

Though no one had yet, Prittle was confident he could win the million.  The few times he had watched the show, he had been able to answer every question, including one worth a half-million, the farthest any contestant had gotten.  To win the million, you had to answer ten questions without a miss.  The hitch was, once you missed, you forfeited all but one percent of what you had earned and you had to keep playing until you either missed or answered every question.  Prittle viewed his participation on the other quiz shows as mere calisthenics, a limbering up for the big battle.  He was, he knew, endowed with amazing powers of retention.  There was hardly a sentence, a word, in either the Britannica or Webster's he couldn't flash at will before the mind's eye.  And since these works were the sources for the questions, a triumph of Olympian proportions was within easy reach.  The thing was to keep one's poise, not to be rattled by the glamour of it all.

Shortly, he laid the dictionary aside and leaned back in his chair, his nerves suddenly calm.  A short snooze was in order.

At 9:30, a yellow cab screeched to a halt in front of a glistening skyscraper whose third floor housed the studio from which "The Million Dollar Question" aired.  Inside the building, Prittle took an elevator to the third floor, got off, and walked down a shiny parquet hallway to a door marked "Studio B Reception."  Inside the thickly-carpeted lounge, he walked past several large sofas and easy chairs to a big oaken desk behind which sat Ms. Duper, or so the name plaque read, and in front of which the stalwart contestant came to a halt.  When after a few seconds the aging, spectacled receptionist still hadn't looked up, Prittle cleared his throat.  The woman looked up from a pad she was scribbling on and said, "Yes, may I help you?"

"Alexander Prittle.  I'm here for 'The Million Dollar Question.'"

The woman lowered her glasses and peered over them.  "Yes, Mr. Prittle, you are today's warrior.  Do you know how the game is played?"

"Yes, indeed.  I've watched the show any number of times."

She told him to seat himself on a sofa and shortly before airtime she would escort him to the studio.  Once on stage he could take his cues from the show's host, Mr. Clint Gleason.

When the host said, "And now ladies and gentleman, I'd like you to meet today's contestant, Alexander Prittle, who makes his home right here in our fair city," Prittle left the alcove to which Ms. Duper had led him a few minutes before and steered himself in the direction from which his name had sounded.  His legs were rubbery and his heart pounding, and he was alarmed at the dampness of his body.  Serried ranks of an armed enemy might have lain ahead.

Walking on stage, he had the impression of having stumbled into a giant fireworks display.  All about him colored neon arrows shot this way and that, and multi-colored lights blinked on and off and, permeating all, a high-pitched whizzing sound that made him involuntarily duck as though he were in the line of fire of a lethal Roman candle.  When he straightened back up, he was relieved to spot the tuxedoed, smiling host, unruffled by the pyrotechnics, only a few steps away with hand extended.

Prittle quickly brushed his right palm against his trouser leg in a vain effort to banish a film of sweat.  While wringing the contestant's hand, the host said, "So glad to have you on the show, Mr. Prittle.  Please tell the audience in the studio and the millions watching at home a little bit about yourself, sir."

Turning himself in the direction the host was facing, the front of the stage, Prittle could see nothing but bright floodlights, yet knew that beyond them a thousand eyes were on him and in living rooms across America legions more.  When he tried to speak, all that came out was a muffled squeak.  Rapidly clearing his throat, he tried again.  "I am an expir-, uh, retired CPA, a bachelor, no children, I like to read and prepare for . . . contests."

He assumed he had done all right because the host patted him on the back and said, "Well, that's marvelous.  And now, strap on your armor, it's time to begin today's exciting game. Please take your seat on the Wizard's throne.  Right over there behind you, sir."

When the host spoke, he managed to expose both his upper and lower front teeth and, Prittle would later remember, the mannequin-like display of incisors, canines, and bicuspids didn't cease until the cameras flashed the closing credits.

As Prittle seated himself on the throne, covered with purple velvet, his eyes adjusted to the point where he could make out a receding rectangle of dark shapes beyond the floodlights.  Above the shapes, on platforms suspended by wires from the high ceiling and nearly indistinguishable from the cameras they stood behind, were the cameramen.  Suddenly, Prittle threw back his narrow shoulders and tilted his head upward and slightly to the left.  He tried to affect a relaxed, confident grin but discovered, to his horror, that both corners of his mouth as well as his right nostril were twitching uncontrollably.  He flung his left hand over the culprit members but, realizing he couldn't speak distinctly with his mouth covered, he yanked the hand away and jammed it into his coat pocket.

As he struggled to calm himself, a crescendo of whistles and wolf calls came from the audience.  Just as Prittle was about to retaliate with a contemptuous sneer, he realized the din was directed not at him but at a shapely young woman in bikini and high heels mincing her way up to Clint Gleason.  She handed him a large red envelope, received a "Thank you, Daphne," and, accompanied by a swelling chorus of whistles, wiggled off stage.

Pulling a sheet of paper from the envelope, the host said, "Our questions for today.  All girded, Alexander?"  The ex-CPA nodded and took a gulp of air.  The host, eyes fixed on the cameras rather than Prittle, said, "Looks like our gladiator is all set, ladies and gentlemen.  Cool as a cucumber.  Now, for one-hundred thousand dollars--and, please, no help from the audience--give us the name of the capital of Idaho."

"That would be Boise."  Now that the game was underway, Prittle felt a resurgence of confidence, even though he had expected the first question to be absurdly easy.  Still, the instant he heard it his twitching miraculously went away and his body relaxed.

"Boise, indeed," beamed the host.  When the audience broke into applause, Prittle glanced in the direction of the cameras, wondering how his face looked on television screens across America.

"For two-hundred thousand GWs, Alexander, and remember, you have a full thirty seconds to answer, tell us who, in Greek mythology, abducted Helen of Troy?"

It sounded too easy, too pat, but Prittle could detect no ambiguity:  "Paris, as I recall."

He felt a vague anxiety, which at first he couldn't pin down.  Then, just as he was about to dismiss the feeling, the idea materialized before him with the appalling clarity of a death blow.  They were going to string him along.  They would give him, as it were, the first nine questions.  Then they would spring it on him, some tricky teaser of a question that he, that no one, could correctly answer.  That way, they wouldn't have to fork over the million, and, at the same time, they would give cynical viewers the illusion the million-dollar question was not, as it had up to now appeared, out of reach.  And the ignominy of it was, reflected Prittle, he could do nothing to stave off the crass trickery.

Or could he?  What if he purposely missed the next question?  That would constitute a bold peremptory strike.  But, no, he would still, in the eyes of the unknowing world, be just another loser, his derring-do unsung.

Besides, how, after all these years of dedicated preparation, could he bear to miss a question deliberately?  Then, too, he would always be pricked by the nagging suspicion he had done himself in.  What if everything was above-board after all?

Prittle decided he must proceed, not blindly, but resolutely, with all the courage he could muster to his foredoomed slaughter.  Let the chips fall where they would.

He sat erect on his throne and tilted his head higher.  He answered the three-hundred thousand dollar question with wry aplomb:  "Ah, a 'millepore,'" he said, the Webster's entry looming before him, "is a large, stony hydrazoan reef-building coral of encrusting, branching or massive forms."

In response to the next question, Prittle, with a trace of sarcasm, recited:  "'Pr' is praseodymium, atomic number 59, a yellowish-white trivalent metallic element of the rare earth group."  Then:  "'Xeroderma'?  Much what the etymology suggests: a disease characterized by roughness and dryness of the skin, accompanied by scaly desquamation."

As the host's "That is corrects" mounted, Prittle, betwixt questions, tried to sort out what was happening.  There was no doubt the questions were getting tougher.  Your man-on-the-street would stumble over the likes of "praseodymium" and "xeroderma."  But of course that was precisely the point.  Contestants on "The Million Dollar Question" weren't average.  They were exceptionally well read and had keen powers of retention.  Still, the producers were certainly playing it fast and loose.  Caution would have dictated more of the "Boise" and "Helen of Troy" types of questions.

And yet, Prittle reflected with a mixture of umbrage and respect for their audacity, they were on the verge of pulling it off.  A few more "corrects" and they would have him right where they wanted, hemmed in and weaponless.  Prittle's eyes hardened.  Nothing for it now but to go down swinging.

A few minutes later, Clint Gleason, shaking his head and, in a genuine Olympian feat, exposing all his teeth, gushed:  "For the first time in the history of our show, ladies and gentlemen, a contestant will go for the Big One.  The whole enchilada.  Okay, all right, Alexander Prittle, brace yourself--and silence, please, in the audience.  Now, Alexander, for all the marbles.  Are you ready?"

"Fire away."  Prittle resisted the urge to add, "Do your dirty work."  It would, he knew, be futile.  He would be condemned as a sore loser, an elderly juvenile.  After all, and this was what made it so diabolic, he could never prove their chicanery.  Their question would be technically licit, within the letter if not the spirit.  They might have a spanking-new supplement to the encyclopedia, something hot off the press he hadn't had access to.  Or, more likely, they would phrase the question so it could be construed more than one way, and then, no matter which way he went, they would say they meant it the other way.

Taking a deep breath, Prittle said to himself, his lips unconsciously forming the words:  "Into the valley of death rode the six hundred."

With hostly ebullience, Clint Gleason said:  "Okay, here we go!  Can you tell us, Alexander--can you tell us:  what is The Brut?"

A barely perceptible smile played on Prittle's lips, the gallows smile of a prophet of doom perversely consoled by his own infallibility.  They could, Prittle marked, mean the popular cologne, a clipped form of "Brutus," a dry wine--they were now taking no chances.  Their quiver bulged with arrows.

Endgame, thought Prittle, with a trace of self-amusement.  Might as well go out in a blaze of erudition.

"It's a poem, a rather good one.  It has thirty-two thousand lines and dates back to 1200 A.D., an era, I might add, when one's foes showed themselves openly rather than pusillanimously slinking in shadows.  It's an English paraphrase of the Norman chronicler Wace and deals with the founding of the British kingdom.  The poem contains, I believe, the earliest known reference to King Arthur and his knights."

As Prittle readied himself for the coup de grâce, an "oh, I'm so sorry, Alexander," the host grabbed his hand and started pumping it while shouting hysterically:  "That is correct!  You are correct!  Incredible!  Ladies and gentlemen, he did it!  Our contestant did it!"

Whizzing noises filled the stage and studio.  Offstage, a cannon-like explosion sounded, and the colored neon arrows ran amuck.  The audience clapped, whistled, stomped, laughed, shook their heads, and cheered in rabid adulation of the Contestant, the palpable embodiment of consummate Triumph.

Prittle scarcely heard.  Out of nowhere, two lines of poetry popped into his head:  "That day you won your town the race / We chaired you through the marketplace."

He was dumbfounded by his error in judgment, his baseless suspicions.  He couldn't deny what was going on around him.  This was no hoax.  The laurel crown was his.

For a few weeks, Alexander Prittle basked in his renown.  His picture was on television and in all the newspapers.  He got long-distance calls from strangers and old acquaintances.  He even got a proposal of marriage, which he speedily declined.

Then, gradually, he faded from the public eye.  Even before he became yesterday's news, he had fallen into a blue funk.  He grieved there was no great quiz show left to conquer, no "Billion Dollar Question."


                                                        

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Winter Flare

  Robert L. Harrison

 


Snowstorm

Jerry Hull

 

 



Underpass 

Jerry Hull


                                          

 



Break 

Jerry Hull

 
 
    

                                                                                

 





from Chaos Series

Hal Muskat